Fu Shan, A Great Calligrapher In Ming And Qing Dynasties, Tasted The Original Cursive Script, And The Font Was Elegant In Appearance And Stubborn In Connotation, Which Was True Calligraphy.

Foreword:

Welcome to Qingyage. The original intention of Qingyage is to inherit the spirit of Chinese culture and carry forward the quintessence of China. To build an art exchange platform for the vast number of art lovers, we will always uphold the purpose of creating high-quality painting and calligraphy content. If you like our content, please pay attention, like, collect, share and forward it. Every time you participate is a powerful driving force for us to create high-quality content.

Authentic tasting of Fu Shan's cursive works;

Book introduction:

Fu Shan(1607-1684) was a Taoist thinker, calligrapher and physician during the Ming and Qing Dynasties. The first name was Ding Chen, the word green bamboo, and the word green Lord was changed. There were aliases such as Zhenshan, Zhuoweng and Shishen, Han nationality, and Taiyuan, Shanxi. Fu Shan highly praised the learning of Zhuang zi, especially Zhuang zi. Later, he joined Taoism, calling himself a disciple of Laozi and Zhuangzi, and consciously inherited the ideological and cultural traditions of the Taoist school. He told zhuang zi " Taoism is natural " 、." Governing by doing nothing " 、" Thai early presence " 、" Hidden but not hidden " And other propositions, have been carefully studied and expounded, and developed the traditional Taoist thought.

He is well-informed, well-learned, and has a great personality. In addition, with the influence of Zhang Ruitu, Huang Daozhou, Wang Duo and Ni Yuanlu, Fu Shan's calligraphy has a peculiar smell. Of course, the most important thing is that his outlook on life and aesthetics played a decisive role. He admires Yan Zhenqing's character and books to the utmost, and he is totally impressed. He likes to use the style of Yan when writing big characters, such as "Collection of Ancient Plum Blossom Poems", even when writing small letters, such as "Wandering around". Deng Sanmu said in Linchi Occidental: "Fu Shan's small script is the best, extremely Gu Zhuo, but he doesn't do much. Generally, he uses cursive script to answer people's demands, but his cursive script is not a bit tacky, and its appearance is elegant and its connotation is stubborn, just like his person." His style of writing is very good, and there are many couplets and lists of big characters in the style of writing, all of which are dignified and vigorous.