1. Wang Xizhi’s famous calligraphy calligraphy calls and their interpretations 1. There are often copies of the sad calligraphy calligraphy, on paper. Length 26.9 cm. 3 lines, 20 words. Running script. The characters are tilted, pitched, and hooked, the strokes are light, fast, round, and drawn, and the structures are mostly horizontal. Interpretation: There are frequent sorrows and misfortunes, which are devastated and cut apart. I can't overcome myself. There is nothing I can do! It comforts and increases my feelings. 1.1 Copy of Wang Xizhi’s Notes from the Imperial Confucius, on paper. Length 26.9 cm. 6 lines, 42 words. Running script. Explanation: Xi Zhi Bao on September 17: And because of the letter from Kong Shizhong, I think he will definitely arrive. I don't know if the leader of the army is ill and then asks. You can't forget your heart for a moment because of worries, so I sent you to get the news. Xi's reward. 2. Auntie’s calligraphy and Auntie’s calligraphy in running script, on paper, now in the Liaoning Provincial Museum. One of the Tang Dynasty copies of "Long Live Tongtian Posts". There are many breaks and pauses between the words. Except for the word "Naihe" which is linked up and down, the rest of the words are independent; the strokes are dignified and sincere, and the mood of "sorrow is devastated, and the emotion is overwhelming" is explicit.
2. Interpretation: On the 13th day of the 11th month of the 11th month of the lunar month, I received a letter from my great uncle, General Xizhi of Jin Dynasty. In a short time, my aunt was in mourning, her grief was devastating, and she was overwhelmed with emotion. There was nothing she could do! Because of the tragedy of the rebellion, the situation was not the same. Wang Xizhi paused. 3. Chu Yue Tie Chu Yue Tie, paper, collected by Liaoning Provincial Museum. This post is the second of the Tang imitations of "Long Live Tongtian Posts". Wang Xi's father's name was "Zheng", so to avoid his father's taboo, "the first month" was written as "the first month". The first sentence is "Xi Zhi Bao from Shanyin". I know that this post was written in Shanyin. Shanyin is the seat of Kuaiji County. In the seventh year of Emperor Mu's reign (351), Wang Xizhi went to Shanyin to serve as the internal history of Kuaiji. He was forty-nine years old. This post was probably written after he was forty-nine years old. This post is one of Wang Xizhi's best surviving calligraphy posts. The writing, wording and composition of this post all have the characteristics of Zhang Cao. Liang Tao Hongjing said in his discussion of Qizhong with Emperor Wu of Liang: "Yishao's books have not been named since before Wuxing." All good deeds are
3. This is a person who was in the middle of Yonghe's tenth year when he was in Kuaiji. 'This book was written at the time. It has the suave, arrogant and capricious charm of the Jin people. Their writing is carefree, their ideas are free to express, and they are innocent and natural. Explanation: On the twelfth day of the first lunar month, Shanyinxi reported. I was about to send this book, but I stopped and no one was there to recognize the letter. So far yesterday, I was able to write a letter on the 16th of the last month. Although I am far away, I give you my comfort and advice. Isn’t Qingjia good? My sufferings are all very bad. Fang Zhidao was worried and weak. Xi's reward. 4. Peace is as good as Wang Xizhi’s peace, how is peace, and the three posts of Fengju are Wang Xizhi’s peace post. Click to view the high-definition picture. Explanation: This rough peace repair has been carried out for more than ten days. Everyone has gathered here to save it, thinking that it will be repeated tomorrow. There is no reason. At the same time, there is an additional explanation: Xi Zhibai Bu Ju Zun Ti Bi Fu He Ru Chi Fu told Xi Zhong Leng that the scoundrels were seeking to recover Bai Xi's Bai Feng Ju with three hundred pieces. The frost had not yet fallen but there were not many. He Ru and Feng Ju were all on ruler tablets. . A double-hook copy is preserved in the National Palace Museum in Taipei. forward
4. Across the water is an inscription by Emperor Huizong of the Song Dynasty, "Prince Xizhi of the Jin Dynasty presented orange notes". Mi Fu's book history says, "There is also a Tang Youjun post, with a double-hook wax imitation. The last post is for three hundred Fengju (the post is made of one piece). The frost has not yet fallen, so it is rare to get more." Fengju Tie was very famous in the Tang Dynasty. , the poet Wei Yingwu said in a poem: "I want to write three hundred poems at the end of the book, and the Dongting is waiting for the forest to be filled with frost. "The allusion of this calligraphy is used. On March 27, the eighteenth year of Kaihuang's reign (598), Zhuge Ying, a scholar who joined the army, proposed joining the army and Liu Guyan, a scholar who founded the government, wrote Shi Zhiguo at the end." Since the Southern Dynasty of the 19th century, emperors of all dynasties have been fond of collecting letters from famous writers such as Wang Xizhi. At that time, the scattered writings were framed into hand scrolls of a certain length. Later, they were passed around, cut and reassembled, and their original appearance was no longer restored. This volume of calligraphy is a copy of three pieces of Wang Xizhi's short notes using double hooks and outlines. Ping'an Tie is written in running script and cursive script. The "Xiuzai" mentioned in the letter is Wang Xizhi's hall.
5. Brothers. How to write in running script to greet the other party and inform them of their current situation. I am writing this in a cursive script of "Feng Tang", giving oranges to my friend and attaching this letter. In these three posts, in addition to appreciating the charm of the entire ruler, you can also carefully examine and compare the beauty of each word. For example, the word "Fu" appears four times in three posts. The "Fu" in "Dangfu" in Pingan is written in cursive script. The three characters "Fu" in Horu Tie are all running script. There are many changes in the strokes, strokes and strokes of Pingan Tie. Between the turns, the sharp and beautiful hair, and some cursive writing techniques of pulling the thread are also very lively and deft. He Rutie is relatively straight, with three "complex" characters, none of which are similar, have different radicals, or have different twists. They are all vivid and vivid, with precise structure and condensed thoughts. The characters in Fengjutie are large and small and full of changes. The character "三" is like a swallow flying across the sky, and the strokes echo each other. The character "hundred" rises upward at the beginning, and falls diagonally at the end. The edge of the brush has turned several times and revealed the traces, " The word "WEI" appears twice,
6. The writing techniques are also different. Other words such as "白" and "Feng" are used. There are also different changes. It can be said that you do what you want without going beyond the rules. The first two posts are briefly found in Chu Suiliang's Bibliography of Youjun. In front of the two posters, there are "Sengquan" and "Huaichong" of Xu Sengquan and Tang Huaichong, who were calligraphers in the Xiao and Liang Dynasties. Therefore, the upper limit of the copying of this post may be between the Liang and Sui Dynasties, but it is also unknown. . These three inscriptions were collected from the family of the Prince-in-law Li Wei in the early Northern Song Dynasty. They also have the collection seal of "Li Wei Books". Later he entered Xuanhe's inner palace. In the inner palace of Shaoxing, it was collected by Xiang Yuanbian and the Zhang family of Jingkou (Zhang Jinchen, Zhang Yucai, Zhang Xiaosi), Da Chongguang and others during the Ming and Qing Dynasties. When he entered the imperial court of the Qing Dynasty, he was not taken seriously. The Shiqu Baoji was first compiled, and the description was listed as inferior. The Sanxitang Dharma calligraphy was not included. However, the ancient Dharma calligraphy scripts include Baojinzhai calligraphy, Dongshutang calligraphy, Xihongtang calligraphy, Mochitang calligraphy, etc., all of which were copied, but in different orders. Now in the collection of the Palace Museum, it has been included in the Forbidden City's Dharma books and ink writings by King Xizhi of the Jin Dynasty.
7. The complete collection of Dharma books from the Forbidden City; and the fine seals of Erxuanshe. The true scrolls are preserved in the world. (Zhang Guangbin) 5. Kuai Xue Shi Qing Tie Explanation: Xizhi paused. It snows and then it clears. Jia wants peace and kindness. Unsuccessful. For the knot. Not strong enough. Wang Xizhi paused. Shanyin Zhanghou. Jun Qian. This post is a short letter written by Wang Xizhi to "Zhang Hou of Shanyin". After the heavy snow, the weather clears up and I ask my friends if they are okay. It begins with the sentence "Xi Zhi Dun Shu" and ends with the same honorific, which is rare in ancient letters. Wang Xizhi's ink writing has been lost to this day. This handwriting is a faithful copy by later generations, but the original appearance can still be seen. This post may be in regular or regular script, or flow and stop, or stop and flow, forming a unique rhythm. The brushwork is round, vigorous and elegant. No stroke is taken lightly, and every word expresses the leisurely and leisurely intention. In the work of Zhao Mengfu, Liu Geng, Hudu Taer, Liu Chengxi, Wang Zhideng, Wen Zhenheng, Wu Ting, Liang Shizheng and others
8. The postscript expresses surprise and admiration. Emperor Qianlong of the Qing Dynasty once said: "There is no parallel in the world, and there is no comparison between ancient and modern times"; "The dragon jumps over the Tianmen, and the tiger lies in the Phoenix Pavilion". He collected this calligraphy together with Wang Xun's Boyuan calligraphy and Wang Xian's Mid-autumn calligraphy in the West Nuan Pavilion of Yangxin Hall, and named the hall "Sanxi Hall", which he regarded as a rare treasure. After the heavy snowfall, the weather turned sunny, and Wang Xizhi used this short note to express his greetings to his friends. The last line "Shanyin Zhanghou" may be the name of the recipient. It was originally written on the cover of the letterhead, but is copied here together with the original writing on the same piece of paper. This piece of calligraphy is mainly composed of round pens with a hidden edge. The strokes are not exposed when starting and closing the pen, hooks, lifts, waves, and strokes. The writing style is mostly circular from horizontal to vertical. The structure is even and stable, showing calmness and calmness. The Ming Dynasty connoisseur Zhan Jingfeng described its characteristics as "round, vigorous and elegant, with a leisurely and leisurely style, and an unfathomable taste", and believed that Zhao Mengfu was influenced by this calligraphy. But Wang Xizhi
9. Introverted and submerged, Zhao Mengfu has a slight edge exposed. Comparing the inscriptions and postscripts of Zhao Mengfu, we can get this impression. The characteristic of Wang Xizhi's calligraphy lies in the beautiful "body posture". "Ti" refers to the shape and posture of the word "knot". "Shi" refers to the rhythm produced by the strokes. Taking the word "kuai" as an example, the left and right parts are facing each other. There is an echoing relationship. The right shoulder of "夬" is slightly higher, and the last stroke is right, which harmonizes the tilted posture. The character "雪" has a similar situation. The upper part is tilted to the left, and the stroke of the last horizontal stroke is drawn down to the right, so the center of gravity of the entire character is also adjusted. In the first line, I feel that the "Qi" is flowing consistently up and down. Why do I feel like this? If you only look at the horizontal strokes of each character, you can find that the angle of inclination is roughly the same, and the center of gravity of the characters in the same line is also on the same center line. There are some changes in the second line. "Guo" has continuous strokes, and the spacing between other characters It is sparse and the center of gravity is also skewed to the right.
10. Changes on the left. These changes appear very natural and make these three short lines rich in beauty. Wang Xizhi (303-361) was born in Linyi, Shandong Province, and later moved to Kuaiji, Zhejiang Province. He was named Yi Shao, known as Wang Youjun in the world, and was known as the "Sage of Calligraphy". He came from a well-known official family. He traveled south with his father at the end of the Western Jin Dynasty and served as a general of the Right Army and internal history of Kuaiji. He resigned during the Yonghe period of the Eastern Jin Dynasty (345-356) and traveled extensively with famous people in the East. He is passionate about poetry, music and calligraphy. He has a good nature and once traded books for a goose. According to legend, there was an old lady in Jishan, Shaoxing who sold a bamboo fan for 20 yen. Each fan in Xi's book had five characters, which increased in value to 100 yen. People rushed to buy it. Wang Xizhi first learned calligraphy from Mrs. Wei, but later changed his learning and learned from the strengths of others. He studied cursive calligraphy Zhang Zhi (died around 192), regular calligrapher Zhong Yao (151-230), Cai Yong (133-192), Liang Hu (active in 192) Second half of the second century), Zhang Chang (died in
11, 206) and other books, he carefully studied the style, added and detracted from the ancient methods, changed the simple calligraphy style of Han and Wei, and created a beautiful and flowing style. Therefore, the people of the Tang Dynasty praised him: "Gathering together many methods, preparing a family. "He is the master of all generations." This piece of calligraphy has the title "Jun Qian", and Mi Fu thinks it is Liang Xiu. However, the person has not been found in the history books, and his life is unknown. Recent people have identified him as Xue Junqian, the consort of Emperor Gaozu of the Tang Dynasty. There is a half seal with the word "Chu" next to it, which is said to have been inscribed by Chu Suiliang. It was hidden in Emperor Gaozong's inner palace during the Southern Song Dynasty and had the couplet seal of "Shaoxing". After entering the inner palace of Jin Zhangzong, there was a seal of "Mingchang Yulan". It was recovered by Jia Sidao and has the seal of "Qiuhe Treasures". In the Yuan Dynasty, it was first owned by the Zhang family of Beiyan, and then entered the inner palace. In the fifth year of Yanyou (1318), Zhao Mengfu and others were given imperial edicts. In the Ming Dynasty, it was collected by Zhu Xixiao, Wang Mingdeng, Wu Ting and Liu Chengxi, and all had inscriptions and seals. In the Qing Dynasty, it belonged to Feng Quan. In the 18th year of Kangxi's reign (1679), he entered the inner palace. There are treasure seals in the collection of the Qing Palace. 6 Wang Xizhi’s travel post, the original trace has been lost
12. Pass. This is a double-hook and ink-filled copy from the early Tang Dynasty. It is on hard yellow paper and is said to be Mi Fu's second edition. It is 24.4 x 8.9cm. Two lines, fifteen characters, inscribed with gold clay and the seal of Xuanhe by Huizong of the Northern Song Dynasty. It was once collected by Dong Qichang's friend Wu Ting. Dong Qichang of the Ming Dynasty had many inscriptions and postscripts, and later entered the Qing palace. Emperor Qianlong had inscriptions, poems and appreciation seals. Dong Qichang's postscript: "Dongpo said that "Jun's family has two lines of thirteen characters, and the pressure of Yehou's thirty thousand signatures" is this post?" Emperor Qianlong praised it for "the inner yun that shines brightly in the dark mu". It is said that Xing Rang Tie was a national treasure that was exiled from the Old Summer Palace (palace) to the people when the Eight-Power Allied Forces invaded China. At the same time, Zhong Yao recommended Ji Zhi Biao and Su Shi's Huangzhou Cold Food Tie. After Xing Rang Tie was collected by Zhang Daqian of Dafeng Hall. After Xing Rang Tie was returned to Dafeng Hall, Zhang Daqian brought the scroll with him when he came to Japan and temporarily stored it with the calligrapher Nishikawa Ning. Now in the collection of Princeton University Art Museum, USA. Known as the number one collection of Chinese calligraphy in the United States
13. Secretary of the Right Army: It takes a long time to make a single step, but why should we return quickly? Most of them should be appointed as counties, and their orders should be as appropriate as possible. Li Qi. Wang Xizhibai. 'This post is only a fragment of the article. Interpretation: Nine people still said that they should never do it. 7. Shangyu Tie Shangyu Tie in cursive script, a copy of the Tang Dynasty, now in the collection of Shanghai Museum. Hard yellow paper, length 23.5 cm, yellow 26, paper 11, this is a Tang facsimile. Across the water in front is a gold calligraphy written by Zhao Jishou, Emperor Huizong of the Northern Song Dynasty, and "Tie of Yu by King Xishang of Jin Dynasty" written on white silk with moonlight. There are "Jixianyuan Royal Book Seal" half seal, "Nei Tong Seal" in the Southern Tang Dynasty, "Zhenghe", "Xuanhe", Shuanglong, "Neifu Shuzhi Seal", "Zheng"&q in the Northern Song Dynasty.
14. uot; Marks of Zhu inscriptions such as "和", "Xuan" and "Lianzhu" were collected by the Imperial Household of the Southern Tang Dynasty, the Imperial Household of Xuanhe of the Northern Song Dynasty, the Imperial Palace of the Ming and Jin Dynasties, Han Fengxi, and Qingbiao of the Qing Dynasty. Xiu Ling comes to this day. It is very disturbing that Yu Yue did not go to the explanation: After reading the book, he asked me that I had a stomachache at night and couldn't see you. You hated me so much that you wanted to go back and come back again. When I went to the west, I couldn't say goodbye. I didn't know where I was. What did you mean when you were not in trial? 8. Mourning chaos The "Two Thank-you Posts" are a double-hook and ink-filled copy of the Imperial Household Office in the Tang Dynasty. It was introduced to Japan by envoys sent to the Tang Dynasty during the Nara Period. The right end of the paper in the Sannomaru Collection of the Imperial Household Agency of Japan has Emperor Kanmu of Japan ( 737 806) "Yanli Edict" Zhuwen Seal. The original post was a scroll, and now it is converted into a scroll, which is "Sangluan Post" and "Second Xie Post"
15. Combined with "Deshi Tie" three-way ruler and slipper. Come to Shanghai Museum for exhibition in March 2006. The mourning post has eight lines, the thank you post has five lines, and the thank you post has four lines, a total of one paper. The Japanese are generally called Sangluan posters. Japanese scholar Naito Mikiyoshi said: The paper used in this post is similar to white linen paper, with vertical stripes, and was copied using the double hook and ink filling method. On the right side of the end of the first line, there is the left half of the word "Seng Quan". At the end of the second line of the second thank you note, the small characters "On the right side, there is a treasure" are signed. Zhen' is Yao Huaizhen, a connoisseur of Liang Dynasty. On the right end of the paper, at the seam of the paper, there are three imperial seals of Yanli Edict's Zhu Wen. The form of the seal is the same as that of Kong Shizhong's post. The middle seal is in the center, and the upper and lower seals are diagonal to the right. This shows that it was once kept by the Imperial Palace of Emperor Kanmu of Japan. . Collection of Japanese calligraphy treasures from China: This painting had been kept in the imperial palace for a long time. It was purchased from Yao after the death of the emperor in the west courtyard.
16. Forgive me, Prince. The prince was the pope of the Miao Court, which preserved it to this day and later presented it as an imperial treasure. 'This calligraphy has been circulated in Japan for more than 1,300 years and is regarded as a national treasure. It has been known to the Chinese calligraphy circle for only more than a hundred years. In the 18th year of the reign of Emperor Guangxu of the Qing Dynasty (1892), Yang Shoujing first imitated the paintings of his neighbor Su Yuan, and ink prints were introduced after 1934. Regarding the tomb and its restoration mentioned in this post, the present person Wang Yuchi presumes that the tomb was in Luoyang, and its restoration occurred in the 78th year of Yonghe, which does not exclude the fact that Huan Wen regained Luoyang in the 12th year of Yonghe. Han Yutao believed that the first tomb was in Langxie and the restoration was done in August of the twelfth year of Yonghe. Based on the large distance between the calligraphy style of this post and the Seventeenth Post, Liu Tao believes that it may have been written by Wang Xizhi around his fiftieth year (the eighth year of Yonghe). The pen of this post is strong, the structure is long, and the severity and slowness are extremely varied. It completely gets rid of the remnants of official script and Zhangcao.
17. It has become a very pure cursive style. When writing, he writes first and then scribbles, and when he writes, he scribbles, which shows that his emotions change drastically from depression to excitement. Han Yutao's evaluation of Wang Xizhi's post on the mourning and chaos, he said that this post is incompetent for four reasons: first, it is an excellent essay in itself; second, the writing of this post is powerful, and it is the true face of the Right Army and the true character of the Right Army; Thirdly, the mourning post has both majestic and bleak beauty; fourthly, this post shows the complete process from walking to grass. Therefore, Sangluan Tie is a rare treasure. It is Wang Xizhi's most representative work in his late years, far better than Shenlong Orchid Pavilion. 8.1 Wang Xizhi’s mourning post, cursive, facsimile, white linen paper. Length 28.7 cm. 8 lines, 62 words. The appearance of the mourning post is similar to that of the mourning post, but the transition is more flexible and flowing, the sides of the characters are even more oblique, the ink color alternates with dryness, and the writing is faster towards the end of the paper. It can be imagined that the author could not stop sobbing and was extremely sad at that time. Interpretation
18.: Xi Zhi paused: The mourning was extremely chaotic, the tomb was buried first and the poison was poisoned, the pursuit was extremely cruel, the admiration was destroyed, the pain penetrated the heart and liver, the pain was so painful that there was nothing to do! Although it was repaired, it was not restored, and the sorrow became deeper and deeper, but there was nothing to do. ! Feeling choked before the paper, I don't know what to say! Xi Zhishou paused. Wang Xizhi obtained a paper copy of the instructions. Length 28.7 cm. 4 lines, 32 words. Cursive writing. Collection of Sannomaru Shozo Collection, Imperial Palace of Japan. This post is on the same page as the mourning post and the second thank you post. Interpretation: It is revealed that it is still not good to be content with one's needs and to be stubborn. I am also bad. I'll go out tomorrow because I don't want to touch the fog. Late. Wang Xizhi paused. Wang Xizhi's second thank you note. Copy. Collection of Sannomaru Shozo, Imperial Household Agency, Japan. View the high-definition version. The second thank you note, the note of gratitude, and the note of mourning are connected into one sheet. Length 28.7 cm. 5 lines, cursive. Interpretation: Er Xie has not met yet? Chengliang is not quiet after the meeting. Xi's daughter loves to worship again, and misses Tai'er well.
19. Former patients are kind. The proposals submitted should be tried to find provinces. Drama on the left. 9. Posts after the rain Posts after the rain, paper 25.7X14.9 cm. Collection of the Palace Museum, Beijing 10. Paper copy of Wang Xizhi's "Yuanhuan Tie" Collection of the National Palace Museum, Taipei According to a scholar named Huang Bosi in the Song Dynasty, "Yuanhuan Tie" is a letter among the seventeen "Yuanhuan Tie". In 332 AD, Wang Xizhi served as Yu Liang's military staff in Wuchang, and his friend Zhou Fu happened to be transferred from Wuchang to Yizhou for garrison. This post is a letter written by Xizhi to Zhou Fu at that time. Wang Xizhi's calligraphy works have always been collected by connoisseurs of all ages, even emperors with noble status are no exception. It is said that Emperor Taizong of the Tang Dynasty sent people to search for the preface to the Lanting Collection. These anecdotes illustrate the later generations' appreciation of Wang Xizhi's calligraphy. Attention to art. The preface to the Lanting Collection presents the style of running script, while the Yuanhuan Tie is a representative work of Wang Xizhi's cursive writing. cursive
20. Approximately beginning in the Han Dynasty, due to the speed of writing, the formal characteristics of continuous and smooth lines can be found visually in the "province" in the first line and the "help" in the back end. If we then add "" in the text Comparing the word "Peace" with the expressions in the three posts of Ping'an, He Ru, and Fengju, it is easier to feel the characteristics of Wang Xizhi's indulgent writing and ink. Yuanhuan post is also called provincial post. It is one of Wang Xizhi's seventeen cursive letters. Huang Bosi (1079-1118) of the Song Dynasty believed that the letters in the seventeen posts were all written to Zhou Yizhou. Press, Zhou Yizhou, named Fu. He is the son of Zhou Fang, who has been related to the Wang family for many generations, and is related by marriage to Tao Kan. (Kan Zizhan married Zhou Wumei as his wife) The letter mentions that "all the disciples in Wuchang also lived far away in officialdom", which is believed to refer to Tao Kan. Tao Kan (257332) guarded Wuchang in his later years, that is, the fifth year of Xianhe (330). Zhou Fu immediately went to Wuchang at that time, and later moved to build and supervise Badong and governor of Yizhou.
21. It was also the time when Yu Liang and Yu Ji were in Wuchang. The Right Army joined Yu Liang's military affairs in the ninth year of Xianhe (332), and had the closest contacts with Zhou Fu at that time. Therefore, this letter should be addressed to Zhou Fu before and after it. This post first appeared in the Book of Fashu Yaolu Volume 10, Secretary of the Right Army. Xuanhe's calligraphy is called Yuanhuan Tie. It is also engraved in the Chunhua Pavilion Tie Volume 6; the Daguan Tie, Ding Tie, Baoxian Tang Tie, and Qing Qing Tang Tie (Sun Chengze's version) were all engraved. During the reign of Emperor Daoguang of the Qing Dynasty, Ye Zhishen received a pear post from Wang Xianzhi and mounted it on the stone together with the post. Later, Yang Shoujing engraved it into his neighbor Suyuan's dharma post. In the Northern Song Dynasty, he entered the inner palace of Daguan and Xuanhe. There are various seals of Daguan and Xuanhe. The first volume is a thin gold bookmark of Huizong Zhao Ji with a double dragon square seal on it, which is specially used for ancient calligraphy. Later he entered the inner palace of Jin Mingchang and the Zhang family of Beiyan, and later returned to Jia Sidao. It was collected by Xiang Yuanbian in Xiushui during the Ming Dynasty, and passed to the collection by Geng Huihou and An Qi in the Qing Dynasty. It was recorded in Mo Yuan Hui Guan and made into a Gou Tomb Edition of the Tang Dynasty. Successfully entered the Qing Dynasty, but did not bear the collection seal of the Qing Dynasty.
22. Therefore, there is no record of Shiqu. It is now in the collection of the Palace Museum. It has been included in the Authentic Collection of Jin Wang Xizhi's Dharma Books in the Forbidden City, and the first volume of the complete collection of Dharma Books in the Forbidden City has been published. (Zhang Guangbin) Explanation: Save the unique things, and ask for comfort at the first step. There are many Zhang Nian who is in suspense at one step, and many scholars in Wuchang are far away from officialdom. Take one step at a time and take care of everything. Do you want to ask a few questions? The old woman's illness is instantaneous, saving her life, but she is constantly worried. I am safe and sound. Contentment is enough. 11. The Seventeenth Post is the famous masterpiece of Wang Xizhi's cursive calligraphy. It is named after the word "Seventeen" at the beginning of the volume. The original ink was lost long ago, but the seventeen-page inscription is now handed down as an engraving. The essential records of Zhang Yanyuan's Dharma Book of the Tang Dynasty record the original ink writing on the seventeen posts: "The seventeen posts are one foot and two feet long, which is the inner version of Zhenguan, with 17 lines and 943 words. It is the famous calligraphy of Xuanhe. Emperor Taizong purchased the two kings' books. The king's book contained three thousand pieces of paper, and was divided into volumes of one foot and two feet.
23. Take his writings and words and compose them into a volume. "This post is a set of letters. According to research, it was written to his friend Zhou Fu, the governor of Yizhou. The writing time was from the third year of Yonghe to the fifth year of Shengping (347-361 AD), which lasted fourteen years. It was Important information for studying Wang Xizhi's life and the development of calligraphy. Bao Shichen, a man from the Qing Dynasty, has seventeen posts for reference. This post was highly praised by predecessors. For example, Huang Bosi of the Song Dynasty said: "This post is also a dragon in the book." Zhu Xi It is said that "playing with the meaning of his writing, he is calm and generous, and his atmosphere is transcendent, not bound to the law, and does not seek to escape from the law." The so-called one flows out from one's mind one by one. "Some people also think that the writing style of this post is "completely ancient and has the meaning of seal script". These evaluations are very pertinent. In particular, they are said to be written calmly and not restricted by the law, as if they flowed naturally from one's own chest, which is the most profound and accurate. Sun Guoting once said: "Since Zijing (Wang Xianzhi) has come down, everyone should work hard to mark the place."
24. "Chengti", that is, Wang Xizhi and below, all deliberately use force when writing and deliberately want to show that they have their own artistic style. In this way, the natural beauty of writing is lost. This kind of contrastive comments is very important for the appreciation of calligraphy. Enlightenment. Interpretation: On the 17th, Xi Sima did not leave. He received the letter of the first step on the same day. It is the first letter of comfort to show the complex numbers. I went to the east to make a beautiful view. I have been cherished by the Yimin for a long time. How can the steps be repeated? This is like the words in a dream. I have no chance to speak. I sigh with my face. How can I read the book? Long Bao and others are safe. I thank you very late. I see your uncle, but I am so simple. Now I go to the end of the silk cloth to express my condolences. I have been farewell for sixteen years. Even now, although I can’t understand the book at that time, Kuo Huai Sheng wrote two books in succession, but I sigh with emotion that the snow and cold have not occurred in the past fifty years. I hope that it will be as usual in the summer and autumn. After eating for a long time, I am still a bad person. Most of them are better than the old ones. When I am recovering, I can take one step to protect my love. I am writing a letter from the top. But there is melancholy, and I am content to go down.
25. When I came to Wu, I thought that I could not stay here until I left. I knew it was too late to ask and look around. I had no chance to save my suffering (admonishment). But I lamented that I was small and safe. I also said that when Qing came to live here, I was so happy that I couldn't express it. I thought it would be bitter after all. (admonishment) There is a period of time when the ear is also saved. You should not live in Beijing. This is a safe place and the weather is good. So when Xin Qing comes, this letter also expresses the purpose of asking whether Tianshu ointment has been used to treat deafness. If there is no test, it is to go to where Zhu Churen is to get it. The letter will not be answered. Now because I can answer my letter with one step, I will definitely reach it. This year, I will be seventy. I know that my body and energy are always good. This is a great celebration. I also want to restore my foolishness and support me. I am a man with droopy ears. I think it is a blessing, but I am afraid of the future. Turn around and force your ears, you want to take a trip. It is very common to say that you have to take a step. But you should protect it until this period. Don't call it false talk and get the fruit. This fate is a strange thing. It also goes. Xia De steps to Qiong. Bamboo sticks are here. Many scholars have respect. The old men all immediately spread their orders, knowing that they would benefit from far away, so that they could save their lives. The land, mountains and rivers, all the strange Yang (Yang), the three capitals of Zuo Taichong, the capital of Shu, are special.
26. If you don’t know about it, there are many wonders. It will make your wanderings satisfying and fruitful. When you ask your Majesty to welcome the arrival of a few people, it means it’s too late. I really use the day as a year. I want to go down to that place, but there is no reason. The ear wants to see you ascending to Mount Emei to lead the immortal grand event, but I have the heart to care about it. The salt well and the fire well are all deficient. The eyes can see and do not want to be wide. The hearing is clear, and the province is different. It is a small step. The big question is to comfort many people, Zhang Nian is concerned about the feelings at one step, and the scholars in Wuchang are also far away. ), when the state general Huan announced his condolences to Qi Zushu, he also thanked Wu Yi for his appointment (living) and wrote several books to ask Wu Ta. In the past, Renzu went to find out how sad he could be. Yan Junping, Sima Xiangru, and Yang (Yang) Ziyun all had descendants. But Hu's mother has been living in Yongxing for seventy years since her sister was safe. I am very poor in official matters. When I came back in a hurry to show Yun and his maid, I couldn't ask for a letter. I have seventy years.
27. All the sons and one daughter were born at the same time. The only one who is younger is still unmarried. After this marriage, there are now sixteen grandsons and grandsons, which is enough to comfort me. At present, the relationship is extremely humiliating. Therefore, it is said that Zhou Gaoshang has no grandson. Because this person has this ambition and is not relied upon, he shows it with one step. He knows that there was a lecture hall in the Han Dynasty. In the Han Dynasty, which emperor established this, he knows that since the three emperors and the five emperors, there have been paintings, and they are exquisite and impressive. There are those who can paint, and they don’t want to do it. If you copy it, you can get it. If you don't believe it, tell me and follow it. If you ask about it, it's safe. Only repair it and record it in the distant sound. I can't count it. The situation is hanging. The state is sick and it's not fruitful. The public and private affairs in the west are hateful. All the things mentioned are done. I have no time to think about it. One step at a time is unique and no longer unique. (11) In the past, Zhuge Xian once asked about the affairs of Shu. He said that the gates, houses, and towers of Chengdu City were all built in the Qin Dynasty. Sima Cuo's construction made people think of it, but I don't believe it. (11) ) It shows that if you want to have a wide range of hearings, you can take two kinds of walnut medicine to satisfy your needs, and you can go down to Rong salt, which is also necessary for taking it.
28. I hope that this will be successful. If I have no chance to see you, I will smile. This medicinal herb can show that green plums will come. Birds will be packed in bags. It will be a good letter. There will be many cherries. The sun will be given to Teng Zushu. This fruit is sparsely clouded. Good thing, I should sow this kind of walnuts for my son, and those walnuts will grow. I really like to plant these fruits in the field. I only use this as an accident. It is a great benefit to this son. I know that Qing Yan is rich and has nothing. My hometown is a famous place and the mountains and rivers are so beautiful. Why not visit Yu Anji? I used to think about it all the time with my colleagues. Now I am the general in the palace. I have passed the clouds before and with one step. I don’t think that I am too old and want to live with my subordinates. I have the money to get it. The small county can think of it at a single step. It is thought of far away and the imperial edict is given to Zhi Hongwen, the minister of the palace, Jie Wuwei, the minister of the palace, Chu Sui, the good school, without losing the right to be a monk. 13. Le Yi's Theory Wang Xizhi's Le Yi Theory (Yuezhou Shi's Edition) Le Yi Regarding small regular script, Liang Mo originally had the inscription "Book to the official slaves on the fourth day of December in the fourth year of Yonghe period (348)". It is said that Yuan Shi once had a relationship with Tang Tai
29. Zongtong was buried in Zhaoling. It may be said that Le Yi Lun's book was scattered to Princess Taiping's house when Wu Zetian was in power. It was later stolen and burned in the stove for fear of being hunted. Wang Xizhi said to Wang Xianzhi in his treatise on writing styles: "This book contains one volume on Yue Yi and one chapter on writing styles. They are for your benefit and are not to be broadcast outside. They are kept secret and must not be shown to friends." He used his carefully composed music Yi Lun was used as a model, and brushstroke theory was used as a theory to inspire Wang Xianzhi's understanding from both the virtual and the actual aspects, and guide him to get on the right track of calligraphy. It can also be seen from the existing notebooks that the strokes are flexible, with horizontal strokes rising and falling, and vertical strokes changing, and shifting priorities; the structure is large or small, upright or sideways, contracted or contracted; the distribution is vertical and horizontal. , run rampant without restraint. On the whole, the charm and vitality can be seen in the silence. 14. Huang Ting Jing in small regular script Huang Ting Jing, written by Wang Xizhi, in small regular script, one hundred lines. It was originally written on yellow silk. It was imitated and engraved on stone in the Song Dynasty, and rubbings have been circulated. this post
30. His method is extremely strict, his energy is also relaxed, and he has a beautiful and cheerful attitude. There is a legend about the Huangting Sutra: There was a Taoist priest in Shanyin who wanted to obtain Wang Xizhi's calligraphy. Knowing that Wang Xizhi loved geese, he specially prepared a cage of fat and big white geese as a reward for writing the sutra. Wang Xizhi saw that the goose happily wrote scriptures for the Taoist priest for a long time, and happily "caged the goose and returned". The original text is published in the Southern Dynasties Treatise on Books, which states that Wang Xizhi wrote it as the Classic of Taoism and Virtue. Later, due to repeated transmission, it became the Huangting Classic. Therefore, the Huang Ting Jing is also commonly known as the "Goose Exchange Tie". It has no inscription and is signed "May of the twelfth year of Yonghe (356)". Now only the imprinted copy has been handed down to later generations. Huang Ting Jing has been handed down by many famous writers, such as Zhiyong, Ouyang Xun, Yu Shinan, Chu Suiliang, Zhao Mengfu, etc. They all explored the method of Wang Shu and obtained beautiful enlightenment. However, some people think that the writing style of Huang Ting Jing in small regular script is not similar to that of Wang Xizhi, so there is also a distinction between authenticity and authenticity. Collection: Sun Guo of Tang Dynasty
31. Court: Huang Ting Jing is full of joy and nothingness. (Book Book) Wang Shu of the Qing Dynasty: It is clear and gentle, just like dancing cranes flying in the sky, immortals roaring at the trees, and never leaving the path of the brush and ink. This is a bit dignified in the flow and beauty. Liang Qing, Qing Dynasty: A native of Linjin, small regular script, with a square and tight structure. Linhuang Ting avoids being fat and weak. (Commentary Notes) Liang Xian, Qing Dynasty: Youjun Huangting originally left out the words "general, spirit, root, jian, solid" and other words, but added the book next to it. The writing style is free and round, making it a good copy. (Commentary post) Bao Shichen of the Qing Dynasty: The praises of the paintings carved by Huang Ting and the Southern Tang Dynasty in the Secret Pavilion are full of energy and graceful momentum. Word by word and painting by modern style, it is almost indistinguishable. Why word. Because of his amazing brushwork, he can make the dots ripple in the sky, making them interesting. (Yi Zhou Shuangji) 15. Han Qie Tie Wang Xizhi Zhang Cao Han Qie Tie on paper, collected by Tianjin Art Museum, reproduced from Calligraphy Jianghu (thanks to wff0905 for providing) Han Qie Tie, also known as Twenty-Seven Tie and Xie Sima Tie. Tang Dynasty
32. The filled-in book has black silk columns. 25.6 cm long, 21.5 cm wide, with five lines and fifty characters in cursive script. There are inscriptions by Dong Qichang and Lou Jian at the end of the volume. This calligraphy was introduced into Shaoxing's imperial palace during the Song Dynasty, and among the people during the Ming Dynasty. It was collected by Han Shineng, Wang Xijue, and Wang Shimin of the Qing Dynasty. It is a calligraphy art treasure that has been widely circulated. Among them, "Xie Sima" should be Xie An. Xie An was Wang Xizhi's best friend. Xie An came out of the mountain in the fourth year of Shengping (AD 360) and became Huan Wen Xi Sima at the age of 41. This letter was probably written in this year. The following year, in the fifth year of Shengping, Wang Xizhi passed away. Therefore, this book should be written by Wang Xizhi in his later years. The calligraphy style of this calligraphy is vigorous and smooth, calm and flowing, and it seems effortless when written. It reflects the high maturity of Wang Xizhi's calligraphy in his later years, the smooth flow and the ultimate beauty. Just as Sun Guoting of the Tang Dynasty said: "This is the book of Youjun. The last years are wonderful. When the fate is considered and reviewed, the ambition is peaceful, neither exciting nor encouraging, and the wind and rules are far away."
33. Therefore, it is possible to "do not inspire or inspire, but the wind and regulations will stay away". On November 27th, Xi Zhibao: I got the letters of the 14th and 18th, and it is a comfort to know and ask. Hanqie, better than others? I am worried about my love for a long time. Eat very little, bad! Li Yin thanked Sima Shu, not one by one. Xi's reward. 16 Wang Xizhi Yuan Sheng's calligraphy. Paper version (copy). Collection of Yuan Sheng's calligraphy by Fujii Ariyo, Japan. It is a Tang copy, made of hard yellow paper. Zhang Yanyuan of the Tang Dynasty, Book of Laws and Records, Volume 10, Secretary of the Right Army, recorded ninety-seven words. This facsimile of cursive script consists of three lines and twenty-five characters, which is a quarter of the full text (see the catalog of handwriting in this chronicle for details). In the Song Dynasty, he entered the imperial palace of Xuanhe and recorded it in Xuanhe's books. Yuan Sheng's copy of the calligraphy has many seals including "Zhenghe", "Xuanhe" and "Shuanglong". The illuminated calligraphy label "Wang Xizhi Yuan Shengtie" was written by Huizong of the Song Dynasty. Behind the post are the inscriptions of Zheng Ming and Chu Deyi of the Republic of China. It was stored in Yan Zhenzhi's family in Wu Xing during the Ming Dynasty. After it was lost, it was purchased by Shen Weishi and transferred to the collection of Huazhong Fu.
34. It was engraved on the Zhenshang Zhai post and later entered the Qing Dynasty. The paper is dirty and dark, and it is not valued by people. Yuan Sheng's calligraphy came to Japan around 1925 and was collected by the Fujii Arine Museum in Kyoto. In 1942, there were many neighbors watching the income, but no one paid attention to it. It was not until the 1992 Fujii Exhibition that it was recognized and became the fourth Tang Dynasty ink copy of Wang Xizhi owned by Japan (the other three are: Sangluan, Kong Shizhong, and Meizhi), and it was regarded as a national treasure. [Explanation] (It is very comforting to see the mother and her baby away after ten thousand months.) I received a letter of thanks from Yuan and Er, which is of great comfort. Yuan Sheng has arrived in the capital temporarily. Is it still there? This life has come to my heart, and I have done all of it. (My brother has predicted that he will encounter it, and he will have his book on important events. It’s no secret. Er Xie said: The end of autumn will definitely come. It’s too late to count the days, and I will be miserable. I don’t know if I will all be together? I know how many days my brother will stay before I leave, and we will have fun together. Also. Seeking Fendan and Jiang Yaonv to reconcile and say goodbye is unspeakable.) 17. Wang Xizhi’s Retching Note on Paper (Copy) Tianjin Museum Collection of Retching
35. Tie, also known as Ru Chang Tie and Yesterday Return Tie. It is 14.1 cm long and 26.4 cm wide, with a total of 4 lines and 36 characters. It was a copy from the Five Dynasties to the Northern Song Dynasty. A national first-class cultural relic. This is a text message Wang Xizhi wrote to his friends when he was ill. The writing style of this calligraphy is extraordinary and elegant, and the calligraphy style is calm and vigorous. It was once recorded in the Chunhua Pavilion Calligraphy and is an art treasure that has been circulated in an orderly manner. In the history of Chinese calligraphy, Wang Xizhi, the great calligrapher of the Eastern Jin Dynasty, has a lofty status and is known as the sage of calligraphy. His ink writing has been highly praised by calligraphers of all ages. However, according to historical records: Wang Xizhi's original calligraphy has long been lost. The handed down calligraphy ink writing of Wang Xizhi They are all copies of later generations, but even this extremely rare copy has been handed down to this day and is a rare treasure. In addition to those collected overseas and in the National Palace Museum in Taipei, the only ones known to remain in the mainland today are the Lanting Preface, Auntie's Tie, Chuyue Tie, Shangyu Tie, Hanqie Tie and Retch Tie. fake
36. During the Manchu period, Puyi brought the retching post to the Northeast, and later, it became homeless among the people. More than 40 years ago, during the turmoil of the Cultural Revolution, Liu Guangqi found an old yellow-black paper among the piles of paper. He took it out and opened it. What unfolded in front of him was an ancient cursive paper. With many years of experience in appraising calligraphy and paintings, Liu Guangqi read out the content of the calligraphy post as: "Every step is as usual. Yesterday, it was very special. There is a slight tightness in the chest, retching and retching, eating cannot be strong, and the disease is difficult to treat, which is very serious. Worried about it. Powerless. Wang Xizhi. "The thing in front of me is actually the retching note of Wang Xizhi, a national treasure lost in the Forbidden City and a sage of calligraphy, which the cultural relics community has been searching for for more than 30 years. Now this piece of Wang Xizhi's retching calligraphy accidentally discovered from a pile of papers has become the treasure of the Tianjin Museum together with the "Hanqie" calligraphy. 18. Youmu Tie by Wang Xizhi Youmu Tie is also called Shudu Tie paper copy, paper version. 11 lines, 102 words. Cursive script. Possessed by Andawan in Hiroshima, Japan. Destroyed by fire. Explanation: The province is far away from home, and there are all kinds of wonders in the mountains and rivers of that land. The capital of Shu is in Yangxiong, and the three capitals of Taichong on the left are extremely unprepared. Knowing that there are many strange things about him, it will be helpful to make him
