The previous article, "Improving the level of calligraphy appreciation, is the process of learning to appreciate Wang Xizhi and not liking Wang Xianzhi", which talks about the point of view of Emperor Taizong of the Tang Dynasty: learning calligraphy requires one's physical strength, and the situation will arise spontaneously if one has such strength. Emperor Taizong of the Tang Dynasty also believed that: Wang Xizhi's calligraphy has the most powerful character and can be said to be perfect in ancient and modern times; and Wang Xianzhi's calligraphy is very charming! Not popular.

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  "Sang Luan Tie" is a representative work of the flesh-and-bone type.

  Explanation: Xi Zhi paused and said: The mourning is extremely chaotic, the tomb is first and then the poison is poisoned, the pursuit is extremely cruel, the admiration is destroyed, the pain is piercing the heart and liver, there is nothing to do when the pain is there! Even though it was repaired, it didn't run smoothly, and the sadness got worse, but there was nothing I could do! I feel choked before the paper, and I don’t know what to say! Xi Zhi paused.

  Many of Wang Xizhi’s posts are in Japan

  "Sangluan Tie", "Second Thank You Tie", "Deshi Tie", "Dabao Tie", "Youmu Tie"... many Chinese people in the past have never seen it.

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Three consecutive "Sangluan Posts", "Second Thank You Posts" and "Deshi Posts"

  "Sang Luan Tie" is considered to be the Tang model version that is closest to Wang Xizhi's original work. It is said that it was brought to Japan by Master Jian Zhen when he went eastward. If it hadn't been connected with the "Er Xie Tie" and "De Shi Tie" on one piece of paper, it would have been regarded as the only authentic work handed down from the world by the calligrapher.

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Wang Xizhi's "Dabao Post"

  Wang Xizhi's original work "You Mu Tie" was destroyed by an atomic bomb in 1945

  This is based on the restoration of the Colo version of "Youmu Tie":

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Explanation: The province is far away from home, and there are all kinds of wonders in the mountains and rivers of that land. Yang Xiong's "Sichuan Capital" and Zuo Taichong's "Three Capitals" are all unprepared. Knowing that there are many strange things about him will make his eyes full. If you can get the result, you should inform your ministers and ask for welcome. few

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Human feet and ears. Signal when the time comes. If it is later than this period, the day will be counted as the year. I want to take a single step to control that land, but I haven't moved my ears. If you want to catch up with you there, you can climb to Wenling and circle around Mount Emei, which will be an immortal event. But saying this, my heart is at ease with him.

  In this way, it is not surprising that Japanese calligraphy is close to Wang Xizhi

  Let’s first look at the words written by Yukinari Fujiwara from Japan

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  When we see words like this, we will exclaim: So beautiful!

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  But Chinese calligraphers may not think so: What’s so great! Aren't you studying Wang Xizhi's calligraphy?

  Let’s look at “Yuquan Tie” by another Japanese calligrapher Ono Michikaze

  First, look at the whole horizontally, and then look at the parts and explanations:

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Parts and explanations:

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  The flowers in Yuquan Nanjian are strange. They are not like flowers or fires. Today I am the only one who is passionate. They bloom for no one every year for no reason. I would rather quit my hard work and do three things

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Here, I even drank two drinks with Liu, and they still acted like they were doing nothing, not bothering with singing and dancing.

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Come, come back from a trip to Pingquan in early summer. The summer is beginning to grow. The south wind is fragrant, and the grass and trees are fragrant.

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  It is stable and the road is very cool. See and pick the purple ferns, pick and taste the green plums, cure hunger and quench thirst, one cup

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  In the cold clouds, I stayed in Tianzhu Temple and returned. I stayed in the wild temple for three nights. I returned to the capital and still missed my home.

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Getting married, still wearing official spots, walking by the water in the cool autumn, meditating and going down the mountain at night, long leisure is still unavailable

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Offer long sentences day by day. The Duke of Jin, in the service, wanted to go to Dongluo. He first asked about the book and stayed at Longmen. He wanted to go there.

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Feeling the present, I often offer long sentences. In the past, I sent them to Xinghuachi Pavilion. Now I am Xu Longmentan, gathering and dispersing but miserable.

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  We miss each other for a long time, I dare to miss you in peace and prosperity, success and fame have been here for a long time, and I haven’t left for a long time in Woyun Mountain.

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Enter. I heard that the style and physical strength are just like when I first broke through Caizhou, so I can't praise or criticize because it's not an example.

  And the monk Kukai

  It is Zen Master Kukai, the protagonist in "The Legend of the Demon Cat". He really learned calligraphy in the Tang Dynasty. The calligraphy of the Tang Dynasty is the calligraphy of Wang Xizhi. Don't talk about the two kings. People in the Tang Dynasty looked down on Wang Xianzhi.

  To be honest, studying Kukai's calligraphy is better than studying the fake Wang Xizhi's "Lanting Preface". Kukai's calligraphy is very strong, while the fake Wang Xizhi's "Lanting Preface" has no strong bones.

  Tang Taizong said: Learning calligraphy is to learn the strength of the bones, and the form of the bones will arise on its own.

  Explanation of Kukai's "Wind Letter" ((First Post))

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  Feng Xin Yun Shu, soaring from the sky. Putting it on and reading it, it is like uncovering the clouds and mist, and wearing it on the top of the head to make offerings,

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  I don’t know how to repair the house. I don't know that your house is already cold. Fuwei Dharma body is like Kukai Tuichang. I plan to follow my orders and climb that mountain. Limit to less

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  willing. Since I can't do anything, I would like to gather together with me, Jinlan, and Shishan, to discuss the causes and consequences of major events. Build a legal building together. newspaper

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  仏恩德. Don't worry about the trouble. I came down to this hospital and looked at the place. Does not have. release on the sea

  王献之的书法连这三个日本人都比不上,因为人家学到王羲之的骨力

  September 11th. In front of Jinlan Dharma in Dongling. Jingkong

  Monk Liangkuan said that what he hates most in his life are: the dishes cooked by cooks, calligraphers’ calligraphy, and painters’ paintings. The good thing about Kukai's calligraphy is that it is not "calligrapher's calligraphy" in any way, that is, no part of it is deliberately done, but every part of it gives people a sense of elegance and remoteness, like the clear sky of late autumn in the north.