The original text of Lu Ji's "Wen Fu":
Every time I look at the work of talented people, I can see their intentions. There are many changes in the husband's words. Yan Chi's likes and dislikes can be explained. Every time it belongs to literature, it is particularly difficult to see its emotions. It is always troublesome that the meaning does not describe the object, and the writing fails to capture the meaning. This is because it is not difficult to know, but it is also difficult to be able. Therefore, the composition of the poem is to describe the prosperity of the ancestors. Because of the pros and cons of the composition, Tuo Rixian can be said to be the most wonderful song. As for wielding an ax to cut down the enemy, even though it is not far away, if the skill changes at will, it will be difficult to catch the good ones. As much as I can say, this is the case.

Standing in the middle area to look at Xuan, Yi is emotionally focused on the Dian tomb. Follow the four seasons and sigh as they pass by, looking at all things and thinking a lot. I am saddened by the falling leaves in the strong autumn, I am happy by the tenderness of the spring, my heart is filled with frost, and my ambition is wandering in the clouds. Praise the virtues of the world and the beauty of our ancestors. Traveling to the Lin Mansion in Wenwen and the Binbin of Jializao. The writing is generous and the writing is generous, and the conversation is elegant.
At the beginning, everyone watched and listened, thinking about the news, focusing on the eight extremes, and their minds wandered thousands of miles. The result is that love becomes more and more fresh as time goes by, and things flourish and advance each other. Pour out the words of the crowd to drain the liquid, and wash away the fragrance of the six arts. The abyss in the floating sky is filled with tranquil streams, and the springs are immersed in them. Then Shen Ci was filled with joy, like a fish holding a hook and emerging from the depths of a deep abyss; floating algae fluttering like a bird with its tassels, falling into the mountains of the clouds. Collect the ancient writings of hundreds of generations and pick up the rhyme of thousands of years. Xie Chaohua has already been clothed, and Qixi Xiu has not yet risen. Observe the past and present in a moment, caress the world in a moment.

Then choose the meaning and follow the steps, and take the test of the words. Those who embrace the heat are knocking with salt, those who are pregnant with the sound are playing. It may vibrate the leaves due to branches, or search for the source along the waves. Either what is hidden is revealed, or what is easy turns out to be difficult. Maybe the tiger changes and the beasts disturb it, or the dragon sees it and the birds fly. It may be appropriate and easy to apply, or it may be awkward and uneasy. The pure and clear heart is composed of contemplation, and the words are expressed in the light of public concerns. Cage the heaven and earth within the shape, suppress all things at the end of the pen. At first he hesitated in dry kisses, and in the end he wandered away from Ruhan. The rationale supports the quality by standing up the stem, and the text is vertical and complicated. The appearance of the letter is not bad, so every change depends on the appearance. When you think about it, you will laugh; when you think about it, you will sigh when you are sad. Some people use the goblet to express their opinions, or they hold their mouths in their mouths and speak clearly.

Izzy's deeds are so pleasant that they are admired by sages and sages. The lesson is empty and there is responsibility, and the loneliness is asking for sound. The letter is as thick as a ruler, and the vomit is as thick as an inch of the heart. The words are broad and wide, the thoughts are deep. The aroma of fragrant flowers spreads, and the fragrance of green strips blooms. The wind is flying and the deer is standing upright, and the gloomy clouds are rising in the Imperial Forest.

There are thousands of different bodies, but there is no one thing that can be measured. There is a lot of squandering, which is hard to describe. The person who quits Cheng Cai is a craftsman, and the one who wants to be a craftsman becomes a craftsman. When there is no presence, you should be willing to do it, and when it is shallow and deep, you should not give in. Although he was away from the party and escaped from his members, his appearance was exhausted and his appearance was exhausted. Old husband, those who praise their eyes are extravagant, and those who are comfortable with their hearts are valued. Those who speak poorly are not narrow-minded, and those who speak well are only broad-minded.

The poems are sentimental and graceful, and the poems are full of beauty and beauty. The inscriptions on the stele are related to each other, and the elegies are lingering and sad. The inscription is gentle and gentle, while the proverb is clear and strong. Praise for the excellent travels with Binwei, and the discussion is subtle and clear. The performance is Pingche and leisurely, and the speech is Weiye and deceitful. Although the distinction is here, it also prohibits evil and controls and releases it. To speak clearly and logically, there is no need to be lengthy.

Its objects are also diverse, and its body has changed many times. His understanding is also clever, and his words are elegant. The iteration of sounds is like the mutual declaration of five colors. Although the passing away is impermanent, it is hard to make ends meet. Gou Da changes and recognizes the order, just like opening a stream to receive a spring. If you miss the opportunity and then meet again, you will not be able to continue to climb after constant maneuvering. It's a ridiculous description of Xuanhuang, so it's not fresh.

Either rely on the previous chapter, or invade the later chapter. Either the words are harmful but reasonable, or the words are smooth but the meaning is harmful. If they are separated, they are both beautiful; if they are combined, they are hurt. The most important thing to examine the palace is a piece of baht, and it is determined to leave and stay in the hair. Gou Quanheng's decision must be taken seriously. Or it may be rich in literature and theory, but not appropriate in meaning. Extremely inconsistent, no benefit at all. It is a warning policy to make a brief statement and focus on the important points. Although everyone's words are well-organized, they will be effective soon. There is a lot of bright work but a small amount of work, so it is not easy to get enough.

Or think about the beauty and beauty, and sleep in a thousand sleeps. Bing is like embroidery, as sad as complicated strings. It must be different, but it is in line with the previous chapter. Although I am in my arms, I am afraid of the Tuo people. To be honest and dishonorable is to be honest, but even though you love someone, you must donate.

Or the sweet potato hair is erect, which makes it stand out from the crowd. The form cannot be driven away, and the sound cannot be tied together. The block is isolated and special, which is very different from the sound. The heart is fixed but has no chance, the mind is wandering but cannot be restrained. The rocks and jade make the mountains shine, the water holds pearls and the rivers are beautiful. The hazelnuts are not trimmed, and they are also honored in the jicui. Decorating the inner lining with white snow, I am also the great man of Jifu.

Or the words are based on short rhymes, and they are lonely and prosperous due to the lack of traces. I look down at loneliness and have no friends; I look up at the lonely outline and cannot accept it. For example, a single piece of partial string music contains a cappella singing and is unresponsive. Or send words to Yuyin, but they are useless. It is mixed with beauty to form a body, and the good quality is accumulated and becomes a flaw. It looks like the lower tube has partial disease, so although it responds, it does not harmonize. Or the principles are left to preserve differences, and only the weak points are sought to eliminate the subtleties. Words are taciturn but love is fresh, words are floating but never return. It's still stringy but urgent, so it's gentle but not sad. It may be unrestrained and harmonious, or it may be noisy and coquettish. It is only pleasing to the eye but occasionally vulgar. It has a loud voice but a low tone. Between the dew and the mulberry trees, it is sad but not elegant. Or it can be pure and virtuous, and every time it eliminates troubles, it can eliminate excess. The lingering flavor of Que Dagang is the same as that of Zhu Xian's Qing Si. Although he sighs three times once he sings, it is both elegant and not flashy.

If the husband is full of promises, he has the shape of pitching down. It is adaptable to changes, and the song has a subtle emotion. Sometimes the words are clumsy but the metaphor is clever, or the reasoning is simple but the words are light. It may be new and new, or it may become clearer along with the turbidity. Either look at it and then observe it, or study it and then refine it. For example, a dancer goes to a festival to throw his arms, and a singer sings in response to the strings. This is something that Gai Lun Bian cannot express, so it is also beyond the scope of Hua's theory.

Liang Yuying was convinced by the general vocabulary and literary rules. It is very common to practice the world's emotions, and know what you have learned before. Although it comes from a skillful heart, it may be due to a clumsy eye. That Qiong is applied with jade algae, just like the Shu in the Central Plains. The poverty of the same prong and chariot is almost the same as the heaven and the earth. Although we are all kind to this world, we are not satisfied with our sighs. If the bottle is repeatedly empty when suffering from illness, it is difficult to tell the origin of illness. Therefore, he wandered around the short wall and played the mediocre music in full tune. How can I be full of self-sufficiency if I end my chapter with constant regrets? Afraid of being covered in dust, I knock on the fou, but I care about making fun of the jade.

If the husband responds to the meeting, it will be the first time to pass the fortress. It can't be stopped when it comes, and it can't be stopped when it goes. If the hidden scenery disappears, the action still sounds. Fang Tianji is so sharp and powerful, why should I ignore it? The wind of thoughts comes from the chest, and the spring of words flows from the lips and teeth. The majesty and power are as follows, but they are all drawn up in the slightest. The literary emblems fill the eyes, and the sounds are clear and gentle to the ears. His six emotions are stagnant and his ambitions remain high. As tall as a dead tree, as open as a dry stream. Collect the soul of the camp to explore the treasures, and feel refreshed and refreshed in seeking for yourself. The nebula becomes more and more subdued, and it feels like twitching when thinking about it. Therefore, one may be passionate but have many regrets, or one may be forthright and unresponsive. Although the things are mine, I can't kill them with my spare strength. Therefore, I caress the empty mind and feel sorry for myself. I don't know the reason why my husband opened the barrier.

The use of Yiziwen is the reason why it consolidates all principles. It stretches thousands of miles without any barriers, and flows through hundreds of millions of years to provide water. Looking down at the fallen leaves, looking up looks like the ancients. Ji Wenwu will fall, and the sound of spreading the news will not be lost. The painting is not far away, but it is not narrow, and the reason is not subtle, but it is not narrow. When it is moistened by clouds and rain, it looks like it has transformed into ghosts and gods. The virtues are widened by gold and stone, and they are renewed day by day by the flow of orchestral music.

Lu Jianzhi, whose date of birth and death is unknown, was born around the time of Emperor Taizong and Emperor Gaozong of the early Tang Dynasty. He was the nephew of Yu Shinan and a native of Wuxian County, Suzhou. He served as an official in the imperial court and as the prince Si Yilang. When he was young, he studied calligraphy from Yu Shinan, and later he went back to the Wei and Jin Dynasties and specialized in Wang Xizhi. Zhu Changwen's "Mochi Bian" said: "Cambodian is an expert in calligraphy, as famous as Ou and Chu. His writing skills are wonderful, his grass is capable, and his writing skills are now in Ni. It is a unique relic, and I have tasted its cursive script, which means that the pen is ancient and old, and I believe that the name is well-deserved." Although his cursive script originated from Yu Shinan, but the style has passed, the brushwork is free and charming, and he has a lot of "late and late masters of blue". Reputation" (see "Books and History"). The "Toutuo Tie" written by Cambodia contains a twenty-five-character engraving.

When we look at the ink in Lu Shu's "Wen Fu", it is just like what Lu Ji said in the essay of "Wen Fu": "Covering the heaven and earth in the form, suppressing all things in the end of the pen ", "Broadening the fragrance of fragrant flowers, and the dense forest of green strips", there is a sense of elegance. Qi, Yibi, chasing "two kings."

"Wen Fu" is a scroll with ink on paper. It is one of the few authentic works by famous writers in the early Tang Dynasty. This is a work written by Lu Jianzhi with great care, because "Wen Fu" is the representative work of Lu Ji's paintaking efforts, and Lu Jianzhi is a descendant of Lu Ji, so Lu Jianzhi wrote "Wen Fu" with great reverence. "of. It is said that when Lu Jianzhi read Lu Ji's "Wen Fu" when he was young, he was so enamored with it that he wanted to write an article himself. However, he was afraid that his poor calligraphy skills would "tarnish" the masterpieces of previous sages, so he never dared to write rashly until his later years when the book became famous. Only then did I write this long-cherished wish.

The composition and charm of the ink in "Wen Fu" are mostly learned from Wang Xizhi's. The book has 144 lines and 1658 words. The font is mainly Zheng and Xing, with occasional cursive characters. Although the three characters are used together, they are taken care of up and down, and look left and right. They cooperate with each other in a tacit understanding and are natural. The brushwork is mellow and shows little edge, showing a peaceful and simple artistic conception. The brushwork is free and smooth , elegant and graceful, and has won the charm of Jin people, revealing the profound foundation of "Lanting".

Jie Xisi, a calligrapher of the Yuan Dynasty, once commented on this post and said: "You Lu Jianzhi's running script "Wen Fu" is a volume. The Tang Dynasty's calligraphy is strong and strong and has the style of the Jin people. This volume is the only one seen. Although it is like the Sui monk Zhiyong. , I still hate that there is too much charm and too much neatness. I sighed three times for this volume alone." Zhao Mengfu of the Yuan Dynasty evaluated it even higher, saying: "The authentic calligraphy works of Lu Jian in the right Tang Dynasty, and those who were good at calligraphy in the early Tang Dynasty were called Ou Yu, Chu Xue, In terms of calligraphy, how can it be compared to the fourth son? However, there are few traces of it in the world, so the one who knows it is Xier." (Postscript to Zhao Mengfu's "Wen Fu"). Zhao Mengfu once studied this post and learned from it the brushwork and composition of Jin people, which greatly benefited him. Sun Chengze said in the postscript written in ink on "Wen Fu": "Zhao Wenmin (Meng Fu)'s calligraphy in his later years (referring to "Wen Fu") became very effective since then. People rarely see Si Jian (referring to Lu Jianzhi)'s calligraphy, so they don't know. Wen Min comes from his ears."

This volume has been circulated for a long time, with postscripts by Zhao Mengfu, Li Ti, Jie Xisi, Wei Su, Song Lian, Sun Chengze and others. In the post, the words "Yuan" and "Shi" are all missing, which is why the names of emperors in the Tang Dynasty were taboo. There is no paper left at the end of the post, and the title has been lost. The front of the volume is preceded by the seal inscription "Er Lu Wenhan" by Li Dongyang of the Ming Dynasty, and the official script "Lu Jiwen's Fu of Lu and Cambodia" by Shen Du. The original work was entered into the Imperial Palace during the Qing Dynasty and later collected in the Palace Museum in Beijing. This original volume is now in the collection of the National Palace Museum in Taipei.