Cai Jing's "Festival of the Husband" 32.3 X 42.3cm

  "Jie Fu Tie", the full name is "Jie Fu Tie". Album. Contains the fourth chapter of the third volume of the Dharma Book of the Song Dynasty. This work is on paper, ink. Length 32.2 cm, width 42.3 cm. Running script. This post has been circulated for a long time, and has connoisseurship marks, such as "miraculous", "momiao", "Zhang of An's Yizhou calligraphy and painting", "appreciation of Wang Yuanmei", "Xue's family collection", etc.

  The calligraphy of this calligraphy is similar to that of Mi Fu, one of the four masters of calligraphy in the Northern Song Dynasty. His writing is vigorous and his momentum is extraordinary. Although his calligraphy is similar to that of Mi Fu, judging from his charming brushwork, he started from the calligraphy of the Tang Dynasty and traced directly back to the "Two Kings". From this calligraphy, his delicate brushwork and strong posture can be clearly seen. The brush strokes are natural but not indulgent in an elegant style; in terms of knotting, the strokes of each word are of different weights, which are natural; the beginning and end of the pen echo each other, creating a diverse and unified font; in terms of line layout, every word and line is carefully arranged , to obtain echoes from before and after while looking left and right, and achieve a vivid state of charm. What must be explained here is that Cai Jing's higher calligraphy attainments should be given a certain status, and his calligraphy should never be discarded based on people. His calligraphy should be evaluated objectively.

Goodbye, Jing. Yesterday, I worked hard all day long
Same achievement. Feelings of horror. Indescribable.
Great heat. No trial
Return to the hotel
How's the movement? think
It’s not out of control. It’s extremely hot in Beijing. No
Be self-sustaining. Very tired. before failure
Create sitting times. Horrible. Sincerely
Face to face. Not announced. Goodbye, Jing.
Jiefu sits in front of him.