Paper copy of Sun Guoting's "Shu Pu" Taipei National Palace Museum
The full text of "Book Book"
Among those who have been good at calligraphy since ancient times, Zhong Zhang was the best in the Han and Wei dynasties, and the two kings were called the best in the late Jin Dynasty. Wang Xizhi said: "After a quick search of famous books, Zhong Zhangxin was unparalleled, but his progress is not enough to be seen." It can be said that Zhong Zhangyun disappeared, and Xixian succeeded him. He also said: "My book is compared to Zhong Zhang. Zhong should resist, or it can be said that it is better. Zhang Cao is like a flying goose. However, Zhang is very skilled, and the water in the pool is exhausted. If I delay it like this, I will not necessarily thank you." This is the intention of promoting Zhang Mai Zhong. Examining his expertise, although he failed to achieve the result according to the previous rules, he has mastered all aspects, so he is not ashamed of what he is doing now. A commentator said: "The four sages among them are outstanding in ancient and modern times; today we do not catch up with the ancients, but study the ancient quality and study the present." Although it is a written deed, it is suitable for recording words; but once Chunji moved, the quality and writing changed three times, and the evolution was rapid, the physics is normal. In ancient times, noble people were not obedient, but today they have different disadvantages. The so-called "gentle and gentle. Then a gentleman." Why bother to carve palaces on acupoints and turn jade chariots on vertebrae? It is also said: "Zijing is not as good as Yi Shao, and Yi Shao is not as good as Zhong Zhang." The intended person thinks that he can evaluate his outline, but does not specify his origins and endings. Moreover, Yuanchang specialized in official script, and Boying was especially good at cursive script. They are both beautiful, but they are both elegant and young. If you draft a draft, it will remain true, if you compare it with the truth, the grass will grow. Although the specialized work is small and inferior, but the extensive experience is excellent; in the end, there is no good relationship. Xie Ansuo was good at rulers and tablets, but Qingzi Jingzhi was a book. Zi Jing tried to write a good book for him, saying that it must be recorded. He always answered questions and answered them, which made him feel very angry. An Chang asked Jing: "How can Qing Shu be like the right army?" He replied: "So we should win." An Yun: "The theory of things is different." Yu Jing replied: "The people at that time knew it!" Although Jing has the power to use What Zhe An learned from this statement is that it is not an exaggeration to claim that he is the father of victory! Moreover, when he established his reputation and became famous in his career, he could not get into the home of Shengmu. Although Yu Jingzhi's Haohan and Shao Youjun's writings and letters were restored in rough regular script, they may not be able to overcome Ji Qiu. The situation is to pretend to be a god, to worship the family model in shame, and to achieve education in this way, who is more likely to face the wall! When Hou Xi went to the capital, he wrote an inscription on the wall before leaving. Zi Jingmi wiped it out and changed the writing to another place. His private behavior was not evil. When Xi returned, he sighed and said, "I was really drunk when I left!" He was respectful and ashamed. It is known that if Yi Shao is better than Zhong Zhang, then Zhuan Bo Si is different; if Zi Jing is not as good as Yi Shao, there is no doubt about it.
When Yu Zhi was a scholar, he paid attention to calligraphy and calligraphy. He ignored Zhang Zhizhi's remaining lies. He has the art of being obedient to the trees and the ambition to be near the pond. Observe the difference in the hanging needle of a husband, the strangeness of thunder and falling rocks, the frightening state of flying beasts, the frightened state of luan dancing snakes, the force of the cliff and the collapse of the peak, the form of leaning in the face of danger; some are as heavy as a collapsing cloud, some are as light as a cloud. Like cicada wings; if you guide it, the spring will flow; if you pause it, the mountain will be safe; as slender as the first moon rising from the horizon, falling like stars in the river; with the same wonders of nature, there are things that cannot be achieved by force and luck; faith can be said to be both wise and skillful. , the heart and hands are smooth, the hand does not move in vain, and there must be a reason for the move. Within a single stroke, everything rises and falls like a sharp edge; within a single point, everything changes like a thin beam of light. Kuang Yun accumulated his stipples to form his characters; he never glanced at the ruler and leaned down to study the shade; he quoted Ban Chao as his words and borrowed items from the book and became complacent; he let the pen form the body and gathered the ink to form it; he was faint of heart and tried to imitate the formula with his hands. Isn’t it wrong to be confused about the principles of luck and seek its grace and beauty? However, when a gentleman establishes himself, he must cultivate his roots. Yang Xiong said: "Poems and poems are written in small ways, which a strong man cannot do." Kuang Fu is also a person who indulges in thinking and loses his ability in calligraphy! The husband's hidden spirit is facing Yi, which is still the name of sitting in hiding; he is happy to fish and fish, and he still has the interest of physical movement and hiding. If Gong determines rituals and music, it is a wonderful imitation of gods, and it is like the indifference of the old man, which is transported together with the furnace. The man who likes the strange and the strange, who plays with the many ways of body postures, who knows the subtleties and subtleties, can obtain the secrets of movement. The one who writes the book ignores its dross, and the one who reviews it learns the essence. The one who consolidates the principles and principles will return it, and the one who believes in the virtuous and the wise is good at the same time. How can it be in vain to save the essence and reward it? The scholars of the Eastern Jin Dynasty cultivated each other. The family belongs to the clan of Wang Xie and the relationship between Xi and Yu. Although it is not full of magic, it is also salty and flavorful. As time goes by, the path becomes weaker and weaker. Fang Fu heard the doubts and expressed doubts, and finally reached the end. He was blocked from the past and the present, and there was no question. He had a meeting and kept it secret. This made the scholars confused, unable to understand the essentials, only seeing the beauty of success, and not understanding the reason. Or it may be that it has been distributed for many years, but it is still far away from the rules, and the true picture is not understood, and the practice will lead to confusion. If he can write in cursive and pass down official laws in a rough way, he will tend to be stubborn and stubborn, and he will not understand the rules. Knowing that the heart and hand will return, it seems that they have the same origin but are of different schools; the technique of switching is like a tree that shares the same tree but is divided into strips? Taking advantage of the changes at the right time, running script is the most important; writing the title in a square format is really the first thing to do. If the grass is not true, it is almost due to concentration; if the true grass is not clear, it is definitely not a letter. The true uses dot painting as the form and quality, so that it can be transformed into emotion; the grass uses dot painting as the emotion, so that it can be transformed into form and quality. If the grass turns well, it can't form words; if it's really bad, it can still be written. Although they are different from each other, they are generally related to each other. Therefore, it is also adjacent to the two seal scripts, which are bent over eight points, including the chapters, and the words are flowing freely. If you don't notice it at all, you will be in a different situation. Just like Zhong Yao Li Qi and Zhang Zhi Cao Sage, they are all experts and masters, making them unparalleled. Boying is not true, but his stippling is messy; Yuan Chang is not careful, but his paintings are vertical and horizontal. Those who are self-defeating and unable to do both are missing something and are not specialized. Although seal script and official seals are made of cursive seals, their functions are varied and their functions are beautiful and each has its own advantages. The seal script is gentle and clear, the script is precise and dense, the cursive script is flowing and smooth, and the chapter management is easy to check. Then cool it with wind spirit, warm it with beauty, drum it with dry energy, and harmonize it with leisurely elegance. Therefore, it is possible to understand their emotions, describe their sorrows and joys, and examine the special knots of dryness and dampness, which have remained the same through the ages. Those who are old and strong at different times, a hundred years old and a few hours apart, can learn about the secrets without entering the door. Another time when writing, some are good and some are combined. If they are combined, they will be charming, and if they are good, they will be sparse. I will briefly explain the reasons, and each has five reasons: Shen is happy and leisurely, which is the first combination; feeling benefit and partiality, the second combination; the time is harmonious and the spirit is harmonious. Moisture is the three combinations; the paper and ink are mixed together, the four combinations; and the occasional desire to write is the five combinations. The heart is quick and the body is lingering, which is the first bad thing; the mind is bent against the situation, the second bad thing is; the wind is dry and the sun is burning, the third bad thing is; the paper and ink are not in harmony, the fourth bad thing is; the feelings are lazy and the hands are weak, the fifth bad thing is. When they are in harmony, the advantages and disadvantages differ from each other. It is better to have a tool at the right time, and it is better to have a tool than to have a will. If the five good things are the same, the thoughts are restrained and the hands are blocked; the five combinations are perfect, and the spirit is integrated and the writing is smooth. Smooth, no discomfort, confused and helpless. When a benevolent person is so proud that he forgets to speak, he rarely expresses his important points; when a scholar wants to describe the wonderful things in a style, his descriptions are still sparse. He did his work in vain and failed to fulfill his purpose. Don't criticize mediocrity, but always make things clear; people who want to promote the rules of the past and guide the knowledge of the future, eliminate the complexity and excess, and see the traces to clarify the mind.
代有《笔阵图》七行，中画执笔三手，图貌乖舛，点画湮讹。顷见南北流传，疑是右军所制。虽则未详真伪，尚可发启童蒙。既常俗所存，不藉编录。至于诸家势评，多涉浮华，莫不外状其形，内迷其理，今之所撰，亦无取焉。若乃师宜官之高名，徒彰史牒；邯郸淳之令范，空著缣缃。暨乎崔、杜以来，萧、羊已往，代祀绵远，名氏滋繁。或藉甚不渝，人亡业显；或凭附增价，身谢道衰。加以糜蠢不传，搜秘将尽，偶逢缄赏，时亦罕窥，优劣纷纭，殆难覼缕。其有显闻当代，遗迹见存，无俟抑扬，自标先后。且六文之作，肇自轩辕；八体之兴，始于嬴政。其来尚矣，厥用斯弘。但今古不同，妍质悬隔，既非所习，又亦略诸。复有龙蛇云露之流，龟鹤花英之类，乍图真于率尔，或写瑞于当年，巧涉丹青，工亏翰墨，异夫楷式，非所详焉。代传羲之与子敬笔势论十章，文鄙理疏，意乖言拙，详其旨趣，殊非右军。且右军位重才高，调清词雅，声尘未泯，翰牍仍存。观夫致一书，陈一事，造次之际，稽古斯在；岂有贻谋令嗣，道叶义方，章则顿亏，一至于此！又云与张伯英同学，斯乃更彰虚诞。若指汉末伯英，时代全不相接；必有晋人同号，史传何其寂寥！非训非经，宜从弃择。夫心之所达，不易尽于名言；言之所通，尚难形于纸墨。粗可仿佛其状，纲纪其辞。冀酌希夷，取会佳境。阙而末逮，请俟将来。今撰执使转用之由，以祛未悟。执谓深浅长短之类是也；使谓纵横牵掣之类是也；转谓钩环盘纡之类是也；用谓点画向背之类是也。方复会其数法，归于一途；编列众工，错综群妙，举前人之未及，启后学于成规；窥其根源，析其枝派。贵使文约理赡，迹显心通；披卷可明，下笔无滞。诡辞异说，非所详焉。然今之所陈，务稗学者。但右军之书，代多称习，良可据为宗匠，取立指归。岂惟会古通今，亦乃情深调合。致使摹蹋日广，研习岁滋，先后著名，多从散落；历代孤绍，非其效与？试言其由，略陈数意：止如《乐毅论》、《黄庭经》、《东方朔画赞》、《太史箴》、《兰亭集序》、《告誓文》，斯并代俗所传，真行绝致者也。写《乐毅》则情多佛郁；书《画赞》则意涉瑰奇；《黄庭经》则怡怿虚无；《太史箴》又纵横争折；暨乎《兰亭》兴集，思逸神超，私门诫誓，情拘志惨。所谓涉乐方笑，言哀已叹。岂惟驻想流波，将贻啴嗳之奏；驰神睢涣，方思藻绘之文。虽其目击道存，尚或心迷议舛。莫不强名为体，共习分区。岂知情动形言，取会风骚之意；阳舒阴惨，本乎天地之心。既失其情，理乖其实，原夫所致，安有体哉！夫运用之方，虽由己出，规模所设，信属目前，差之一豪，失之千里，苟知其术，适可兼通。心不厌精，手不忘熟。若运用尽于精熟，规矩谙于胸襟，自然容与徘徊，意先笔后，潇洒流落，翰逸神飞，亦犹弘羊之心，预乎无际；庖丁之目，不见全牛。尝有好事，就吾求习，吾乃粗举纲要，随而授之，无不心悟手从，言忘意得，纵未穷于众术，断可极于所诣矣。若思通楷则，少不如老；学成规矩，老不如少。思则老而愈妙，学乃少而可勉。勉之不已，抑有三时；时然一变，极其分矣。至如初学分布，但求平正；既知平正，务追险绝，既能险绝，复归平正。初谓未及，中则过之，后乃通会，通会之际，人书俱老。仲尼云：“五十知命”、“七十从心。”故以达夷险之情，体权变之道，亦犹谋而后动，动不失宜；时然后言，言必中理矣。是以右军之书，末年多妙，当缘思虑通审，志气和平，不激不历，而风规自远。子敬已下，莫不鼓努为力，标置成体，岂独工用不侔，亦乃神情悬隔者也。或有鄙其所作，或乃矜其所运。自矜者将穷性域，绝于诱进之途；自鄙者尚屈情涯，必有可通之理。磋乎，盖有学而不能，未有不学而能者也。考之即事，断可明焉。然消息多方，性情不一，乍刚柔以合体，忽劳逸而分驱。或恬憺雍容，内涵筋骨；或折挫槎枿，外曜锋芒。察之者尚精，拟之者贵似。况拟不能似，察不能精，分布犹疏，形骸未捡；跃泉之态，未睹其妍，窥井之谈，已闻其丑。纵欲唐突羲献，诬罔钟张，安能掩当年之目，杜将来之口！慕习之辈，尤宜慎诸。至有未悟淹留，偏追劲疾；不能迅速，翻效迟重。夫劲速者，超逸之机，迟留者，赏会之致。将反其速，行臻会美之方；专溺于迟，终爽绝伦之妙。能速不速，所谓淹留；因迟就迟，讵名赏会！非其心闲手敏，难以兼通者焉。假令众妙攸归，务存骨气；骨既存矣，而遒润加之。亦犹枝干扶疏，凌霜雪而弥劲；花叶鲜茂，与云日而相晖。如其骨力偏多，遒丽盖少，则若枯槎架险，巨石当路，虽妍媚云阙，而体质存焉。若遒丽居优，骨气将劣，譬夫芳林落蕊，空照灼而无依；兰沼漂萍，徒青翠而奚托。是知偏工易就，尽善难求。虽学宗一家，而变成多体，莫不随其性欲，便以为姿：质直者则径侹不遒；刚佷者又倔强无润；矜敛者弊于拘束；脱易者失于规矩；温柔者伤于软缓，躁勇者过于剽迫；狐疑者溺于滞涩；迟重者终于蹇钝；轻琐者淬于俗吏。斯皆独行之士，偏玩所乖。
"Book of Changes" says: "Observe the astronomy to observe the changes of time; observe the humanities to transform the world." Kuang's book is wonderful, and it can be taken from all bodies. If the order is not used thoroughly, it will still be lost in the secrets; but in the midst of waves, it has been dredged up on the spiritual platform. You must be able to understand the feelings of pointillism, study the principles from beginning to end, make insect seals, and use Tao to write cursive scripts. If the five materials of the body are used together, the appearance will not be perfect; if the eight tones are repeated one after another, the feeling will be confused. If several paintings are applied together, their shapes will be different; all the points will be arranged in line, forming a body that is consistent with each other. One point becomes one word, and one word is the final word. Violate but not violate, be harmonious but different; stay late but not stay late, send away the disease that is not permanent; bring dryness and moistness, and will be thick and dry; lose the rules in the square and circle, escape the straightness of the hook and rope; appear sometimes and obscure, if walking, if hiding; poor The abnormality is at the end of the hair, and the mood is on the paper; the hands are always attentive, and the regular rules are forgotten; I can memorize Xi's offerings without missing a beat, and defy the rules and regulations but still work hard. For example, the crimson tree and the green harp of the husband have different shapes and are beautiful together; the Shu and the jade of the Sui Dynasty are different but have the same beauty. Why bother to carve a crane or a dragon, which makes you feel ashamed of your real body? When you catch a fish or a rabbit, it's like a swan's hoof. When I heard that my husband's family has the appearance of Nanwei, we can discuss it with Shuyuan; if it has the advantage of Longquan, we can discuss cutting it off. To speak too much is to tire the cardinal. I have been thinking about writing a book, and I think it is very suitable. I am often called someone who knows it, and I often point it out: it is so beautiful that I have not paid attention to it; or I have made a mistake, and I was scolded when I read it. If you don't know what you see, you can even describe what you heard; you may think that you are proud of your seniority and your position, and you may be embarrassed by it. I fake it with Xiang Ming and inscribe it with ancient eyes: then the sage will change his view, and the fool will continue his voice, competing to appreciate the wonders of the rich and the end, and rarely discuss the failure of the front end; just like Huihou's love for hypocrisy, just like Ye Gong's fear real. It is known that there is a reason for the fluctuation of brother's breath. My husband, Cai Yong, did not erroneously reward, and Sun Yang did not care rashly. He was proficient in mystical knowledge, so he was not stagnant in his ears and eyes. Xiangshi's strange sound is in Cuan, and even those who listen to it are surprised by its wonderful sound; if he is at ease, and everyone knows that it is unique, then Bo Cui is not worthy of being called Bo Le, and Bo Le is not worthy of praise. As for the old grandma who encounters a fan, she resents it at first and then asks for it; when the disciple gets a few books, the father cuts off the book and the son is upset; knowing and not knowing. It is strange that a Gentleman submits to not knowing oneself, but to one who knows oneself. He does not know oneself! Therefore, Zhuangzi said: "The bacteria in the morning do not know the new moon, and the worms do not know the spring and autumn." Laozi said: "When the corporal hears the Tao, he laughs; if he does not laugh, it is not enough to follow the Tao. How can you blame summer insects for holding ice!"
Since the Han and Wei dynasties, there have been many commentators on books, and they are all mixed up, and the entries are disputed: some are restating old chapters, but they are not different from the past; . This is a six-part compilation, divided into two volumes. The first one is called Shupu. The concubine's family came later and were entrusted with the scale. They are friends from all over the world, or they can keep a close eye on the province. The purpose of keeping its secret is that there is nothing left to learn.
Chui Gong’s three-year diary
