Calligraphy is more expensive than the structure of the ancients. A closer look at book learning, dynamic time flow. The past is difficult and the present is easy, the past is profound and strange, and the present is tender and vulgar, and it is easy to learn. Woohoo! Poetry and ancient prose are both the same, Ningdu's calligraphy is also.
   ——"Qiongrui Lu Tie" after the "Chunhua Pavilion Tie Fifth · Ancient Tie". "Qiong Rui Lu Tie", now in Kyoto, Japan, published in "Wang Duo's Calligraphy Books" edited by Murakami Mishima, Japan

  Huai Su alone has a lot of value in this post, but he does not want to read it, he does not want to see it.
   ——"Qiong Rui Lu Tie" after "Tang Monk Huai Su Tie"

   Wu Lintie is good at making turns, although he has no other strengths, if he can turn, he will not fall into the wild way. After studying books for 30 years, drawing by hand and imitating by heart, there must be someone in the world who knows me.
   ——After reading "Chunhua Pavilion Tie Chu Suiliang Tie", collected by Zhejiang Provincial Museum

   Every book is like Tan Bing talking about swords, sometimes he feels injustice, and he expresses his spirit under his ten fingers, which is always as fast as vertebrae and contempt.
   ——After reading "Book of Poems for Brother Sie Dao", Rongbaozhai Collection

   Yushu is not so important, but he has been engaged in this way for thousands of years, and he is an ancient person, so he dare not do it rashly. Old books and old posts, looking forward to the other, almost self-conscious. For example, Deng Huohua, consciously lacking in strength, studied hard during the holidays, or made progress. In the future, it should be written again for relatives, so as to test how it was made.
   ——After the "Antique Tie" of "Langhua Guantie" (Zhang Ao's engraved edition)

   In the forty years of my calligraphy study, I have learned a lot, and there must be someone who loves my calligraphy more deeply. Those who don't know are called Gao Xian, Zhang Xu, and Huai Su's wild ways. I don't agree, I don't accept, I don't accept!
   ——The end of "Du Shi Juan in Cursive Script", collected by Shanghai Museum (see the fifth series of "Calligraphy Series" of Cultural Relics Publishing House)

   If you don't learn from the ancients, you will fall into the wild customs all the way, just like writing poetry and essays, you can combine them after you have the law. The so-called not using the six rhythms means that the five tones cannot be corrected. Such as the score of piano and chess. However, we can also know the "Feng", "Ya", and "Song" of poetry, and the Xia, Shang, Zhou, Qin, and Han of literature. Therefore, those who are good teachers of the ancients will not leave the ancients, nor will they follow the ancients. Those who do not talk about the past must be set, but the text is not learned.
   ——After "Langhua Pavilion Tie Album", Hong Kong Xubaizhai Collection

   On the fifth day of the third month of Bingshu, at the second watch at night, with wine, he could not get drunk if he was slightly drunk, and wrote it in the Langhua Pavilion in Beidu. Using Zhang Zhi, Liu, and Yu Cao's method to expand and expand, it is not Huai Su's evil way. The viewer distinguishes it, but forgets it suddenly.
   ——After "Cursive Script Du Fu Qinzhou Miscellaneous Poems Volume" (see Murakami Mishima's "Wang Duo's Calligraphy Volume II"

   Yushu is the sole sect of Xi and Xian. That is to say, all the schools of Tang and Song Dynasties originated from Xi and Xian, and people don't know their ears. The move said: a certain learns from rice, and a certain learns from Cai. It goes back up and says: XX Yu, XX Liu, XX Ou. I have lived in this way for fifty years, and I will not give in to my strengths. Calligraphy, painting, poetry and essays of the ancients are salty* (found). It's hard to say that the bandits are deeply educated.
   ——Proceeding to the end of "Chunhua Pavilion Tie" and the combination of mountains and rivers (see "Wang Duo's Calligraphy Volume II" edited by Murakami Mishima)

   On the first day of Xinsichu, I read a book, and suddenly it has been four years. There is no good in the bitter house, and the ink affairs are all abolished, and I feel a little faster when I read it. This is my forty-six-year-old pen. After fifty, I have been tempered even more. Is it still at ease? For example, when climbing a mountain, the more you climb, the more steep you will be. Already Chongfeng, Dun bowed down. All paintings are self-sufficient, and they are all first-class in Hebo.
   ——After "Qiongrui Lu Tie"

   Yu Yushu, Yushi, Yuwen, Yuzi, concentrating on the heart and driving the mind, cutting off emotions and desires, thinking straight (foot branch) about the mystery of the other room. I hate that the ancients don't see me, so I dream about eating and drinking. Looking at it again now, I also feel that there is evidence. (To Zhi) I don’t know Yu Tang Ao Si! Returning to my second younger brother Zhonghe, the remaining 30 years of writing, poetry, writing, and writing have been focused on books, poems, writing, and calligraphy.
   ——After "Qiongrui Lu Tie"

   The calligraphy of the emblem is warm and dense, like the smoke flowing from the distant water. It is a pity that it is rare to see, and it is recorded in ancient and modern times, with only a few lines. It is not easy to believe in calligraphy after trying my best to copy it.
   ——"Qiongrui Lu Tie" after the "Book of Jin Huangmen Lang Wang Hui"

   When writing, the Er Zhizi played in front of him, and his voice was chaotic, so he dropped (such as) characters such as dragon, shape, ten thousand, gully, etc., which can also be used as a gimmick. Calligraphy and painting must be done deep in the mountains, swaying in the shadow of pines and clouds, is it a pleasure, is it safe?
   —— "Selected Works of Nishan Garden" (Poetry Collection Taiwan Student Bookstore) Volume 1

   To cover a word, you must first have a game in your chest,...  When I was about to write, the air was swaying, not the usual, no fixed method, it was extremely powerful.
   —— "The Collection of Mr. Wang Yanke"

   Looking at public calligraphy today, the two fundamental kings change like dragons, the essence of regular script, the spirit of action, and the depth of calligraphy is like this, woohoo! Public calligraphy is not well-educated, and it is so unique that it makes people want to see loyalty and indignation. Explore other books, fill in the legacy of the public in the Tang Dynasty, who can never forget the painstaking efforts of the future?
   ——Inscription and Postscript 2 of Volume 39 of "Selected Works of Nishan Garden" (Wang Cheng's Block Edition)

   The judge of "Holy Religion" spent fifteen years remaining and practiced it intensively. If you enter the capital today, you will win even more if you have everything you have and what you get. Thirty years will be passed, like a celestial palace and stars, starting and ending at the next house, the sun is squinting at the time, the stick is almost gone, and then walking, turning around by itself. It can be seen that Yi Shao's book and Chunhua Tie Xuan are slightly muddy, and it is a deep pool for those who believe in books. Its treasure imitates Linglin, do not desecrate this treasure. The ancients said that Xianzhi is weak and weak. It is not only trivial, but also safe and powerful. Take it and taste it for life. Those who measure the sky can follow this book.
   ——Inscription and Postscript 2 of Volume 39 of "Selected Works of Nishan Garden" (Wang Cheng's Block Edition)

   Mi Fu's books Xi and Xian are erratic vertically and horizontally, flying immortals. I have won the "Lanting" law, imitated it irregularly, and I burned incense and slept under it.
   ——After the postscript "Mi Fu Wujiang Zhouzhong Poetry Volume", it was collected by a collector in New York, USA.

   For those who engrave servant characters, the number of hooks will gradually disappear, and as they infiltrate, they will be wronged. The masterpiece "Zao Luan Prisons the Dragon" has many different shapes, and it does not mere imitation of the methods of Kaiyuan and Dali. The wildfires are gone, and the branches and leaves are gradually falling off. It also brings Furan's coldness, which is really inferior to the ancients. Taste the ancient "(upper grain and lower dish) Lao* (left king and right offering) can only be able to make Chinese eyes, "Jun Le" and "Guang San" can only refresh people's ears. If they can please people and gods, then they are works with one step. Bing Yuan's follower, Sun Song, only promoted Zheng Kangcheng, and servant Jin did the same.
   —— "The Selected Works of Nishan Garden" (Wang Kai's engraved edition) Volume 50 "Books · Yu Shizhai"

   Shandong Wuxian Li Qunde's good book "Lanting", the paper is old and ink is laborious, it seems to be hundreds of years old. Or think that the double hook outline is filled in, and I see it and say: it is not so, and Si Chudeng is good at it! The original book of Linzhaoling is not easy to have in the world. I have traveled north and south across the Yangtze River, several times in the world, but this is the first book written by Yingzhou. Feiyue Wuxin has a special fairy charm, like a mother and child twins, and it is over-determined Wu engraved Bianzhong's original and stopped. At that time, Qian Muzhai of Yushan was present at the banquet, and he was also very surprised to appreciate it, and there were no postscripts of Liu Guan and Deng Wenyuan. The husband and the world are far away, and they will all end together. What is there is nothing, but this book is special out of coal dust, how can it be accidental! Viewing books is like viewing mountains and rising mountains. also. The gentlemen of the future, who want to see the Zhaoling post, have seen more than half of this post.
   —— "Selected Works of Nishan Garden" (Wang Cheng's Block Edition) Volume 38 Question 2

   Liu Chengxuan used "Cao'e" and "Huang Ting" to expand it into a big one, and it was full of strength. The yin and yang are in the Xi and the offering, but the four corners are cut and painted with a knife. Both this post and "Yizhou" are excellent, and it is said that they are worthy of national work.
   ——The Second Postscript of Volume 38 of "Selected Works of Nishan Garden" (Wang Kai's Block Edition)

   In the spring of Bingshu, I went to Beihaizhai, watched Mi Haiyue's books, corrected Shen Xiong, changed in Xianzhi, Liu and Yu stretched and contracted by themselves, and I couldn't bear to look at them. Hey! After the war, the literature was withered for a while, but only this volume remained, which was inexhaustible in the rubble. The encounter of things, from Jian Yuheng, can win and sigh.
   ——This article is engraved at the end of "Tingyunguantie"