How to improve your brush calligraphy level?

Writing posture and writing method

1. Writing posture

(1) Sitting posture

(2) Standing posture

2. Method of writing

(1) The pen holder is vertical

The pen is upright, which means that the pen holder should be basically kept perpendicular to the paper surface, in order to ensure that the pen can be written in the center, specifically the pen holder is vertical, so as to facilitate the adjustment of the direction of the pen. It is worth pointing out that in the process of using the pen, with the swing of the wrist, the pen holder will fall to the direction pointed by the stroke, for example, the pen holder is tilted to the left when writing a horizontal drawing, and the pen holder is tilted forward when writing a vertical drawing. This is completely reasonable, but you can't let the pen holder fall to the direction of the pen to cause "drawing", let alone fall to both sides of the stroke to form a slant.

(2) Falseness of the palm

To point out, pinch the pen with your fingertips, not with your knuckles. Because the fingertips are sensitive, it is easy to control the subtle changes of the stroke. The fingers should be tight enough to pinch the pen. Generally speaking, the smaller the characters to write, the tighter the pen should be squeezed, while the larger characters should be looser. The sitting posture should be tighter when holding the pen, while the standing posture can be looser.

Palm empty means that the palm should be empty when holding the pen. The ring finger and little finger must not be held in the palm. The ancients said, "Empty space can contain eggs". That is to say, there must be an egg-sized space in the palm, the purpose is to facilitate the flexible movement of fingers and joints.

(3) Natural relaxation

The writing is naturally relaxed, and the four joints of fingers, wrists, elbows, and shoulders must be able to move flexibly, and writing is easy and free. For example, when eating with chopsticks, if the chopsticks are grasped tightly, the food in the bowl will definitely not fit into the mouth, and the principle of writing is the same.

If it is said that the pen is mainly based on the fingers, then the pen is mainly based on the wrist. Jiang Ling in the Song Dynasty said that the pen "holds in the hand, but the hand is not in charge of movement. The movement is in the wrist, and the wrist is not in charge of holding it". The way of moving the wrist is divided into pillowing the elbow and pillowing the wrist, pillowing the elbow and hanging the wrist, and hanging the elbow and hanging the wrist. Pillowing the elbow and pillowing the wrist means that the elbow is resting on the table, and there is something under the wrist (general calligraphers put their left hand under the right wrist), and this method is used to write lowercase letters. Pillowing the elbow and hanging the wrist means that the elbow is resting on the table and the wrist is suspended in the air. This method is used to write Chinese, capital letters or small running script. Hanging elbows and wrists means that the elbows and wrists are all suspended in the air. It is often used to write cursive, cursive or large regular script.

Finally, there is also the question of the writing position. For a writing brush, what part is reasonable to pinch your fingers? There is no absolute answer to this. The general principle is: when writing small characters and regular script, the position of the pen can be lower; when writing large characters or cursive script, the position of the pen can be higher, so that the stroke of the pen can move more widely and the brushwork can flow flexibly.

Below, we specifically introduce a method of holding a pen: the five-finger method. It is said that it was created by Lu Xisheng, a calligrapher in the Tang Dynasty. He used five characters to explain the functions of the five fingers when writing. The five characters are; Ciao, Ya, Hook, Ge, and Da.

(擫) is used to explain the function of the thumb. Cling to the left side of the pen holder with the thumb pad.

(Press) is used to illustrate the function of the index finger. Cling the pad of the index finger to the right side of the penholder, and hold the penholder opposite the thumb.

(hook) is used to illustrate the function of the middle finger. The middle finger rests under the index finger, and the first knuckle bends into a hook that hooks around the outside of the pen barrel.

(grid) is used to illustrate the role of the ring finger. The ring finger is close to the pen holder, and the middle finger hook is blocked inward to prevent the pen holder from being skewed.

(to) Explain the role of the little finger. Reaching means cushioning, which means that the little finger is placed under the ring finger to increase the strength of the "grid" of the ring finger.

Regular script basic stroke writing rules

Strokes are the basic elements that make up Chinese characters. If you want to write well, you must first write well. Just like building a house, you must pay attention to the quality of materials. A house built by cutting corners must be a "tofu dregs" project. The same is true for writing. The method of learning to write without practicing strokes seriously is not in line with the learning rules of brush and regular script. . Wang Xizhi said: "...a little loss is like a beauty's disease; a stroke is like a broken arm of a strong man." It fully illustrates the relationship between the quality of strokes and the overall beauty of characters.

There are more than forty basic strokes of Chinese characters, which can be divided into dots (oblique dots, vertical dots, left dots, left dots, raised dots), lines (long horizontal, short horizontal, left pointed horizontal, hanging needle vertical, vertical exposed vertical , short vertical, long oblique, short oblique, short flat, vertical curved, vertical, oblique, flat, reverse, lift), fold (horizontal, vertical, fold), hook Hook, vertical hook, vertical hook, oblique hook, horizontal hook, vertical hook, vertical left hook) and compound strokes (10 in total, names omitted), each type of strokes has its own rules to follow , These laws are not difficult to master, the following is the law I summarized in the process of learning and teaching brush regular script.

1. The rules of starting a pen: point, band, turn

It is suitable for the one-tow straight-down stroke method. The reason why this method is taught is to facilitate students to learn cursive script in the future (see Figure 3-1). (If you can't see the whole picture, you can double-click the picture to view)

    Point: Any stroke starts from a point. The pen holder is vertical, with an oblique angle (45°) (this angle is the default, and it can be adjusted accordingly for different styles of italics). The pen is written from light to heavy to write the almond point of the front point and the back circle. It is required that the pen should be light and the angle should be oblique, and the length of the dot should be written according to the thickness of the stroke, and it should not be elongated blindly to avoid trouble in the next step. 

   Belt: It is to draw the outline of the starting pen, and it is also easy to turn the pen. Take the horizontal as an example, after the almond dots are written, the brush moves according to the direction of the stroke (horizontal right, vertical downward, left to lower left, right downward to right, and upward to right). The outline of the starting pen is written, and it is convenient for the pen to change direction without showing any traces, so as to ensure the next step of the center pen. Note: Don't lift the brush when you take it, cover the head and tail of the point (based on the head and tail of the invisible point), and write three straight sides and two square corners.

    Turn: It is to adjust the direction of the pen to meet the requirements of the center pen. After the planar block surface is formed, the tip of the pen does not need to be lifted, and then it is necessary to turn the pen holder counterclockwise with the thumb and forefinger (horizontal and lifting are counterclockwise rotations, vertical and horizontal rotations are clockwise rotations. Turn) to drive the pen to adjust the front counterclockwise, so that the original pen direction changes from forward to left, and at this time, moving the pen to the right is the horizontal center stroke. Note: Do not lift the brush when turning the pen. Use your thumb and forefinger to rotate the pen holder directly to drive the tip of the pen to rotate on the paper, like a seesaw, so that the tip and the heel of the pen touching the paper move to the center of the stroke at the same time until the state of the pen tip meets the requirements of the center. .

The above is just taking the horizontal as an example to illustrate the rules of starting point, belt and turning, and other strokes can be deduced by analogy. As for the similarities and differences of the five most basic strokes of horizontal, vertical, left, lift, and right strokes, starting point, belt, and turn, please refer to the table (Figure 3-2).

2. The rules of writing: the center spreads the hair

 After the completion of the three steps of starting the pen, the center striker lays the pen. During the process of penning, keep the pointing of the pen pointing exactly opposite to the direction of the pen movement. At the same time, it is required to keep the pen point in the center of the stroke. With the movement of the wrist, the pen holder can be reversed. To the direction pointed by the tip of the pen (not in the direction of the pen or on both sides of the stroke, otherwise it will cause dragging or slanting front), the greater the tipping of the pen holder, the greater the friction between the pen tip and the paper surface, and the pen will overcome the resistance and move forward. The strokes are naturally powerful and beautiful (see Figure 3-3).


Please see the demonstration of starting strokes and running strokes

Three, the rules of receiving pens

After the writing is finished, the next step is to close the pen. There are two ways to close the pen:

(1) Zangfeng collecting brush: flick, pick, fold, turn

When the center strokes the pen to the end, the first step is to rebound and lift the pen (the less flexible the pen or the larger the pen stroke, the more it needs to be rebounded and lifted), because the horizontal, vertical or short vertical and anti-press Closing requires lighter strokes to complete the finishing well. Therefore, the rebound is the key step to complete the successful completion of the pen. Here I use the word "bounce" to summarize this step of rebounding.

The second step of "picking" refers to the upward picking of the stroke (for horizontal strokes) or leftward stroke (for vertical strokes). The purpose of this step is to cooperate with the third step "folding" to form edges and corners to emphasize the shape of the stroke Effect. Note: When picking, use a pen to pick lightly, not heavy brush strokes.

The third step "folding" summarizes that the stroke is folded after "picking" (the direction is parallel to the direction of the starting point) to form a square corner to the lower right, which is compared with the circular arc formed by the next step of turning to form a square circle. Note: This step still needs to be lightly folded with a pen.

The fourth step, "turning", summarizes the circular turning and recycling. After the "folding", the wrist drives the brush to make the brush tip turn easily, and gently retract from the bottom, and the whole stroke is successfully completed.

Vertical exposed vertical, short vertical, and anti-press can all be closed in this way (see Figure 3-4).

(2) Lu Feng closes the pen: flick, tilt, kick

 Lu Feng closed his pen because he wanted to write it out. The same thing as Zangfeng retracting brush is that the first step also needs to be rebounded and lifted (this step is also called "bounce"), but this rebounded lifting is repeated and continuous, and the pen is moved lighter each time until the stroke is written. Accompanied by repeated rebounds and lifting, in order to make the pen point gradually retract, the pen holder must be inclined to the direction pointed by the pen tip (this step is called "tilting"). In the last step, the pen tip is quickly kicked out of the paper to form the pen tip (this step is called "Kick"). In the basic strokes, such as hanging the needle vertically, skimming, pressing, and mentioning the hook, all the closing brushes use this method. It should be noted that if you want to close the beautiful strokes, you must turn the pen in place when you start the pen. Only when you turn the pen in place, can you write the strokes on the center line of the stroke when you close the strokes, so as to produce a beautiful appearance (see Figure 3 — 5).

Attachment: Demonstration and Usage of Regular Script Stroke Writing

 4. Two writing rules of folding

1. The folding method of starting pen - flick, pick, point, belt, turn

This method is the reduction method, which is especially suitable for writing vertical folds, left folds, and vertical lifts. It is to regard the folded pen as the connection of two line strokes, such as the horizontal fold can be regarded as the horizontal and vertical connection (the vertical fold can be regarded as The connection of vertical and horizontal, and folding can be regarded as the connection of writing and horizontal, that is, the closing step of writing is followed by the starting step of writing), and horizontal folding can be written as horizontal closing (keep "bounce" and "pick", Remove the "fold" and "turn") and then start vertically ("point, band, turn"), and so on for vertical folding and skimming folding (see Figure 3-6).

In order to make the folding pen have the effect of "consolidation and calmness" that Kang Youwei said, it is also necessary to pay attention to the angle of the folding pen within a right angle.

2. Triangle method - bounce, pick, fold, fold, turn

The key to this method is the last three steps of folding, folding, and turning to hook out the outline of the triangle, and then adjust the stroke and stroke. It is especially suitable for writing horizontal folds, horizontal hooks,

The carabiner is also especially suitable for beginners. (See Figure 3-7).

5. The writing rules of folding hooks

 The writing rules of the folding hook (horizontal hook, vertical lifting, vertical hook) are basically the same as the folding triangle method, and can be written according to the five steps of "bounce, pick, fold, fold, and turn", but the vertical hook should be written according to "bounce, pick, fold, turn". It is more reasonable to write the four steps of "folding, folding, and turning", because if the vertical hook is also written with the same "heel" as the vertical hook, the effect will inevitably be ugly and procrastinated. Vertical lifting is more suitable for writing by playing, picking, pointing, belting and turning. (See Figure 3-8).

6. The writing rules of the arc hook - bounce, arc, fold, turn

The writing method of the arc hook (oblique hook, horizontal hook, vertical hook, vertical left hook) is slightly different from that of the folded hook. If you use the triangle method to write, there will be an extra corner on the back of the hook, so it is particularly ugly, so you should use "arc". "Replace the two steps of "picking and folding" of the folding hook, so that the written arc hook can

There is beauty. The writing rules of the arc hook can be summed up by the four characters "bounce, arc, fold, and turn" (see Figure 3-9).

Attachment: Stroke Writing Demonstration and Usage of Regular Script

7. The writing rules of dots - the concentration of lines (linear strokes)

There are five basic points in regular script:

Oblique point - the concentration of anti-nap

Vertical point - the concentration of vertical dew

Left point - the concentration of right short vertical

Skim - the condensed form of the short oblique

Points - the concentration of mention

These dots are the abbreviations of the five corresponding strokes - go to the middle to run the stroke, and connect the two ends to start and finish.

Tips for writing difficult strokes 1

   1. Long and horizontal In addition to writing according to the general rules of starting, running and closing, the following points should also be paid attention to: 1. Arched shape. The left half is slightly upward sloping, and the included angle with the horizontal line is about 5°. The right half is flattened in time just after the stroke of the pen, and naturally has an arched shape when the pen is closed. 2. The middle section is slightly thinner. When writing, the strokes are slightly raised, and the strokes will naturally become thinner, but not too thin, otherwise it will become a "waist waist" pen. 3. Close the upper and lower circles of the pen. The "pick" and "fold" of the closing pen form a square corner, which makes the horizontal look lively; the last "turn" must be round, in contrast to the square corner, that is, harmony and change.

   2. The left point is horizontal 1. The starting point of the pen should be horizontal and the left point should be pointed. After the stroke is adjusted, move from light to heavy along the horizontal direction (you should have a keen sense of the weight of the pen with your fingers), and slightly elongate to form an almond point with a left tip and a right circle. 2. Close the pen and lift it up. After the rebound conversion stroke is lifted, the lifting blade extends forward and upward from the lower edge, then folds upward on the left to keep parallel with the lower edge of the starting pen, and finally closes the blade from the upper edge. 3. The strokes are low on the left and high on the right. It is the same as the pen with a long horizontal and slightly slanted belt. After taking the pen, keep the pen directly in the oblique direction (since the point of the pen starting from the flat point has reached the horizontal center pen movement requirement, so the step of turning the pen to adjust the front is omitted and the pen is written directly). After the pen is closed, it must be Left low right high.


   3. Hanging the needle vertically 1. The closing front should be in the middle. When the brush is completed, the stroke should be on the central axis of the stroke. This requires that the stroke should be in place when starting and turning, and ensure that the direction of the stroke points to the front and is in the center of the stroke. 2. The strokes should be full. It is necessary to write three-quarters or four-fifths of the whole stroke with the brush pen before picking up the pen and closing the front. 3. The closing action is small. The movement range of rebound conversion should be small, so that the written strokes can be exquisite and neat.

    Four, short flat write 1, the angle should be flat. It depends on the direction of the pen, so after the point, you should draw the pen gently to the left instead of slanting down. 2. Turn the pen bigger. What followed was that the pen turning range increased, and the pen tip turned from forward to left to right, and the written apostrophe was naturally relatively flat (it does not need to be absolutely level).

  5. Vertical bending and skimming 1. The turning range is large. From the vertical downward of the starting pen to the horizontal left of the closing pen, the turning of the pen is controlled by the flexible rotation of the wrist. 2. The front should be tracked. Due to the large turning range, the pointing of the pen should also be adjusted by twisting the pen holder clockwise with fingers when turning. Otherwise, the strokes will become thicker and uncoordinated when writing a turn. 3. Wrist rotation and finger twisting should be carried out simultaneously.

 Sixth, obliquely press 1. Press the circle below and above the corner of the foot. Here, the method of belting and turning with a long horizontal pen is used, that is, when changing directions, maintain the original force of pressing the pen and draw the pen horizontally to the right to form the effect of a circle on the bottom. 2. Pressing the foot is full and upright. The change of direction and the pen that I just mentioned is also a key step to achieve fullness. Then turn the pen counterclockwise to adjust the front and then close the pen at the center. The strokes written are naturally full and full of beauty.

   7. Flattening and pressing 1. Use the horizontal dot and belt method to start the pen. Be careful not to be thick, long, or oblique, but slightly thinner, shorter, and flat. 2. The second downhill should be long and slow but not steep. 3. Press the foot slightly longer and the upper edge should be flat.

 Stroke writing video

Tips for Difficult to Write Strokes 2

   8. Vertical hook 1. The hook should be flat. The upper edge of the hook should not be inclined to the left, but should be slightly flat. 2. Don't pick. After the rebound is lifted, do not pick the pen down to the right to avoid ugly heels.

    Nine. Lying hook 1. Lift up before pulling out the hook. Otherwise, it is similar to an oblique hook, and it is easy to write the hook large and empty, making it difficult to arrange the position of the point. 2. The hook should be long. The hook is long and parallel to the starting pen, so that the hook is compact and small. 3. The corner of the hook should be prominent. If the corner of the hook is not prominent, it will be dull, and the corners of other arc hooks should also be prominent.

    10. Vertical Left Curved Hook It is better to hunchback than bend over. Start the pen and go down to the right, turn sharply down to the left, and use the circle of the turning prescription together, like a hunchback, but without bending over, it is harmless. If it is written in a semicircle, like bending over, it will feel weak and weak.

 Eleven, horizontal folding hook 1, horizontal thin folding thick. The horizontal strokes should be written with a pen, and the folds should be written according to the strokes. It is not allowed to fold thickly and thinly or to be equal in thickness. 2. The hook should be an arc hook. Draw an arc before drawing the hook, that is, use the writing method of the vertical left hook. Don't write it as a snap hook or a hook with a heel. 3. There must be changes. The horizontal folding hook can be written in different lengths according to different characters. For example, the requirements for the cross-folding length of the three characters "same", "four" and "sentence" are different, so it should be handled flexibly and not stereotyped.

 12. Horizontal fold and fold It is composed of horizontal fold and fold plus write. The horizontal folding and hook folding method is the same.

   Thirteen. Vertical folding hook It is composed of vertical folding hook and horizontal folding hook. Note that the horizontal folding hook should be thinner, and the horizontal folding can be written as round folding.

   14. Left point Use the vertical point method to start the pen. That is to say, the pen is written vertically from light to heavy writing point, and then the pen is drawn downward (slightly to the left), and the closing pen is the same as the vertical dew. If viewed horizontally from the back, it becomes a left-pointed horizontal, indicating that it is connected with the writing rules of the left-pointed horizontal.

Stroke writing video 

The Usage and Writing of Combination Points

1. Two points of water: used as the left side. The upper part is the oblique point, and the lower part is the lifting point. This radical is generally used on the left side of the character, so the right edge should be aligned vertically. In order to avoid taking up too much space on the right radical.

2. Three points of water: used as the left side. Add another oblique point between the two points of water. This point should be close to the first point and aligned obliquely, so that it is easy to lift the point and close the pen to extend to the blank area left by it, so as to ensure the vertical alignment of the right edge. The reason is the same as above.

The Usage and Writing of Combination Points

1. Two points of water: used as the left side. The upper part is the oblique point, and the lower part is the lifting point. This radical is generally used on the left side of the character, so the right edge should be aligned vertically. In order to avoid taking up too much space on the right radical.

2. Three points of water: used as the left side. Add another oblique point between the two points of water. This point should be close to the first point and aligned obliquely, so that it is easy to lift the point and close the pen to extend to the blank area left by it, so as to ensure the vertical alignment of the right edge. The reason is the same as above.

5. Opposite point: used as the bottom of the word. The left is the apostrophe point, the right is the oblique point, and the starting strokes are flush to ensure that the upper edge is neat.

6. Every three dots: used as a prefix. Insert a vertical dot in the middle of opposite points, the stroke order is the middle first, then both sides.

7. Four-point bottom: used as the bottom of the word. According to the principle of symmetrical radiation distribution, the two points on the left are left points, the two points on the right are oblique points, the two points in the middle should be slightly smaller and vertical, the two points on both sides should be slightly longer and oblique, and the upper edge should be neat.

8. Centripetal four points: used on both sides of the word. On the left are two points of water, and on the right are the prime and oblique points. The lower right oblique point is slightly larger.

 The rule of strokes

(1) Connection method

     1. Solid connection method: the starting or ending of one stroke is covered by another stroke. This method is like a carpenter connecting tenons and tenons. Two pieces of wood must be joined tightly and firmly, so that the furniture made is strong and durable.

     2. Empty connection method: the stroke of the starting or closing stroke of a stroke is matched with another stroke. The effect of writing is ethereal. This method is the key technique in the connecting method, because most calligraphy learners are not good at using this method to express the higher-level beauty of calligraphy. To master this method, it is necessary to master the two skills of sharp and light strokes and Lufeng retracting strokes.

     3. Intersecting method: Two strokes are interspersed with each other. This method is relatively simple. No special practice is required.

  (2), separation method

    The two strokes are separated from each other, but the strokes are broken and connected. Many people only pay attention to pen breaks and ignore Yilian. As everyone knows, a pen without Yilian is a piece of loose sand, and the written words have no cohesion and lack a sense of unity. This method needs to focus on the pen first when writing, and complete it in one go. Don't think while writing, and hesitate.

 virtual connection writing example         

law of balance

(1) Dense and sparse. In order to write the characters with many strokes in the center of the grid without crowding, the strokes must be written thinner; on the contrary, although the characters with few strokes are easy to write in the center of the grid, if they are also written thinly, they will feel poor and frugal, so To write thick.

(2) Long, thin, short and thick. Beginners always ignore this rule when encountering long and short strokes when writing. Either the length is the same as the thickness, or it is short and thin, and the length is thick. This kind of writing does not conform to the principle of visual balance. Compared with short strokes, long strokes have greater visual tension, that is, they are more conspicuous than short strokes. Only if they are written thinner than short strokes, In order to make short strokes more conspicuous, so as to achieve visual balance.

(3) Thin horizontally and thick vertically. This can be explained by the principles in architecture, the horizontal is equivalent to the beam of the house, and the vertical is equivalent to the top beam. If the top beams are thin and the house beams are thick, it will give people a sense of insecurity. Only by thickening the top beams and thinning the house beams can people feel stable.            

(4) Thin on the left and thick on the right. This is for the left and right sides of the characters to be vertical, because writing in this way conforms to people's aesthetic and psychological habits.

Redraw Variation Law

  (1) Variation rule of heavy horizontal strokes: when there are two or more horizontal strokes in a character, it is necessary to write the flat and inclined point of the starting stroke, the pitch of the ending stroke, and the change in length and thickness;

(2) Variation law of heavy 捺: When there are two or more 捺 in a character, except for the main stroke written as oblique 捺, the rest are all written as reverse 捺, because writing in this way can highlight the main strokes and make the whole character distinct. This is the reason why the ancients said "there are no two strokes".

(3) The law of double-fold variation: if there are two or more folds in a stroke or a character, the change of the square and radius should be written, so as to break the monotony and combine rigidity and softness. Such as horizontal fold fold, horizontal fold fold hook, vertical fold fold hook and "horse" and the like.

 (4) Variation rules of heavy hooks: when there are two or more hooks in a word (hooks in the same direction), the changes in the hidden exposure and size of the hooks should be written;

Introductory Textbook of Regular Script 2

Rule of thumb

    Why do many beginners write their characters in a smooth and stable manner when writing regular script? Because I don't understand this important rule, writing regular script is like doing calculations. If you want to make regular scripts lively and thought-provoking, mastering this rule is the main way.

The main stroke is the theme stroke in the character. There is only one theme stroke in a character, and the other strokes are all subordinate strokes. Subordinate strokes should give way to the main strokes, and should not overwhelm the guests and occupy space, but only highlight the main strokes. Compared with subordinate strokes, the space occupied by the main stroke is larger. Therefore, when writing the main pen, it should be open and let go, and when writing the sub pen, the contraction should be restrained. This is the principle of priority of the author. Among the basic strokes, the main strokes are long horizontal, hanging needle vertical, oblique pressing, horizontal hook, vertical hook, oblique hook, horizontal folding hook, horizontal folding oblique hook, vertical curved hook, vertical folding folding hook, etc.

A combination of long and horizontal strokes


When the heart is upright, the pen is upright, and the pen is determined to keep in mind.

Don't miss the point of writing, and the turning point is expensive and round.

If there is something down, you want to accept it, but if you outline it, you should avoid mediocrity.

The left side should be vertically exposed, and the right side should be straight and sharp.

Press down like a golden knife, and write like a rhinoceros horn.

The rampant front is restrained, and the structure is clear.

No slack, clever layout.

Density and density must alternate, and slow speed can pass.

They support each other lightly and heavily, and they are looking forward to love.

It is easy to match shades and shades, and the direction and back must be moderate.

Both reality and reality must be taken into account, and the ups and downs are endless.

Vertically and horizontally interspersed with each other, and swallowed with a sense of proportion.

If you guide it, you will be injected by the spring, and if you stop it, you will be honored by the mountain.

It has both spirit and form, elegant and unrestrained.

If you don't stop writing every day, you will succeed.

Regular script formulas

Regular script is called block script;

Learning books must be done first, use the center for writing

The shape of the strokes is stable, and the return to the front should be natural

Words must be correct, structure should be shaped

The structure is evenly matched, and there are many ancient posts

Pay attention to rules and regulations, use pen to teach skills

The pen and pen must be in place, regular script must be written well

Clear and clear must be neat, the focus is on the wrist


Running script formula
Xingkai writing should be fluent, and the main writer's composure is the key

Fast writing and simplification are the characteristics, and the continuous strokes are light and thin

Large flexibility and multiple variants, the best pen is the long front

The pen is like a cursive script, the ink must be adjusted and moistened

You must hang your elbows when you write, the first line of the whole article is the standard

Only by being flexible and changeable can we be free and complete in one go

official script formula

Fang Jin is ancient and clumsy, like a turtle like a turtle

Silkworm head and goose tail pen must be 30% off

Geese do not fly together, silkworms do not have two colors

Stippling and pitching, picking left and right

heavy turbid light clear

Wei Bei formula

Courageous and strong spirit

The weather is clear and full of interest

The brushwork jumps, the bones and blood are moistened

The stippling is thick and the structure is natural

Elegant state of mind and flesh and blood

cursive script

The cursive script moves like a spring worm, and the characters are shaped like an autumn snake

The whole chapter must be run through together. Being energetic and spirited is a fine product

wild grass to decide

The wild grass is like a turbulent current, and the words are like a startled snake coming out of its hole

The change of dots and lines is beautiful, and the density is numerous

Majestic and magnificent, the structure is white and the heart is smooth